Bjarke Ingels’ firm has won a competitors to design an art gallery for a Norwegian sculpture park, with ideas for a constructing that twists across a river .
Described by Ingels as an “inhabitable bridge”, the Kistefos Museum will span the Randselva river that winds by means of the centre of the Kistefos Sculpture Park close to Oslo.
The sculpture park was established in the late 1990s on the site of a former paper mill, and hosts modern works by artists such as Anish Kapoor and Olafur Eliasson.
BIG’s new 1,400-square-metre building will provide indoor gallery area, but also a second river crossing, which aims to enhance circulation across the internet site.
The architect describes it the studio’s “1st experiment with social infrastructure”.
“The museum visit itself will be a bridge, not a purpose – and the exhibits within an interior extension of the promenade by way of the Sculpture Park,” mentioned Ingels.
“With the inhabited bridge, we stumbled upon our initial experiment with social infrastructure – a creating that serves as a bridge – or a cultural institution that serves as a piece of infrastructure,” he additional.
The rectilinear building will twist at a midway level over the river, helping to reconcile a height difference amongst the two banking institutions.
A staircase in the centre of the block will mediate the level change, but also double as a seating region and vantage level for video projections and efficiency art events.
“A basic twist in the building’s volume enables the bridge to lift from the reduced forested spot towards the south, up to the hillside region in the north,” explained the architect.
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The rotation will cause a single finish of the creating to be taller than the other, providing two various types of gallery space. On the south side, galleries will be stacked vertically, whilst a single broad lobby more appropriate for large-scale sculptures or installations will face the north bank.
Guests will enter through the triple-height space at the south, passing the data centre and museum store on the way to a cafe situated at the northern finish. Right here, an outdoor terrace will give guests views of the old paper pulp mill and forested landscape.
A band of glazing will run from one end of the constructing to the other, beginning on one facade at the northern finish and transferring onto the roof at the midpoint to produce a skylight over the southern galleries.
This arrangement will supply a combination of skylit, side-lit and dark spaces for diverse types of artwork. Reflective movie inside in the glass will defend artworks from the sun’s damaging UV rays.
Non-glazed locations of the facade will be constructed in brushed stainless steel, these areas can be artificially lit to offer ideal environments for video works and projection.
Big worked in collaboration with consultants AKT II, Max Fordham, Davis Langdon and GCAM on the style. Building is expected to commence in 2016 and comprehensive in 2019.
Bjarke Ingels is at the moment also working with British designer Thomas Heatherwick on Google’s new Californian headquarters. Google lost its original land bid to the social network LinkedIn, but acquired a new seven.5-hectare-internet site close by, where a scaled-down edition of the design is now planned.
Undertaking credits:
Partners in charge: Bjarke Ingels, David Zahle
Task leader: Brian Yang
Collaborators: AKT II, Max Fordham, Davis Langdon, GCAM, MIR
Staff members: Alina Tamosiunaite, Christian Dahl, Ryohei Koike, Balaj Alin Iulian, Marcelina Kolasinska, David Tao, Jan Magasanik, Tiina Juuti, Kamilla Heskje, Eva Search engine marketing Andersen, Finn Nørkjær, Andreas Klok Pedersen
Consumer: Kistefos Museum
