London Design and style Festival 2015:
windows that charge electronic gadgets and benches developed making use of solar energy have been amongst the sustainable products, furnishings and food things exhibited across four floors at London gallery 19 Greek Street .
A theme of ethical residing ran all through the Soho gallery’s Artwork of Progress exhibition, which included a cafe with a “planet-pleasant” menu and a floor converted into an apartment to showcase of furnishings, merchandise and lighting style.
A lecture area hosted talks from speakers about the theme of sustainability, even though guests to the top of the five-floor Victorian town home were encouraged to get a break from the bustle of London Style Festival with a series of workshops on mindfulness and meditation.
Connected story: Peter Marigold’s cabinets “bleed” as steel reacts with tannin
Function from designers which includes Mischer’Traxler, Peter Marigold and Studiomama founder Nina Tolstrup was on display.
Marjan van Aubel extra her existing windows to the very first three floors of the constructing, making it possible for site visitors and passersby to use collected solar vitality to charge their phones.
Vienna duo Mischer’Traxler showed their hollow Thought of a Tree benches – produced from cotton, glue and resin as distinctive information of the sunlight problems on the day they were created – as well as naturally dyed and hand-knotted wool carpets developed for rug company Nodus.
Connected story: The Current Table by Marjan van Aubel functions a solar panel for charging mobile phones
For this year’s London Style Festival, the pair also filled a area at the V&A museum with glass bulbs containing hand-produced insects, which fluttered in response to the movements of visitors.
Peter Marigold showed choices to standard lighting, with lamps powered by forks caught into veggies, as well as purposefully uneven shelves manufactured from panels of wood supported by a single log split into 4 corner pieces.
Belgian designer Lionel Jadot contributed a distinctive table, with a leading that had bundles of copper rods inserted into it, as nicely as a table with a surface produced from a piece of reclaimed ceiling.
Julian Lechner also employed reclaimed resources, with ceramics manufactured from employed coffee grounds, and Tord Boontje recycled bottles to build a assortment of glassware.

“In curating The Artwork of Progress, 19 Greek Street will send a powerful message about the way of life options we can all make to contribute to a much more sustainable and ethical long term,” said gallery founder and innovative director Marc Péridis.
The Artwork of Progress took spot from 17 to 27 September 2015, as component of the London Design and style Festival.
Other exhibitions that took element in the course of the occasion included a showcase of hand-crafted Irish goods, a collection of independent Taiwanese lighting and furniture style, and a demonstrate that commemorated 50 many years of British road signage.
