Pearl Bay Residence Provides Ocean Views From South African Coast

Glass sliding doors surrounding the living regions of this coastal residence in South Africa can be retracted to generate open-air spaces overlooking the ocean .

Pearl Bay Residence by Gavin Maddock Design Studio

Australia-primarily based Gavin Maddock Design Studio developed the Pearl Bay Residence as a holiday home for a consumer who will eventually retire to the spot located in the harbour town of Yzerfontein, 90 kilometres up the western coast from Cape Town.

Pearl Bay Residence by Gavin Maddock Design Studio

The consumer requested a modern home that helps make the most of ocean views from a website on a dune, which rises progressively away from the shore.

Pearl Bay Residence by Gavin Maddock Design Studio

A pair of white cubic volumes arranged on either side of a backyard incorporate 3 bedrooms, 4 bathrooms and living and dining locations that can be totally opened up to the outside.


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“The architecture and interiors get pleasure from numerous aesthetic interests and were inspired by the west coast landscape, which is fairly textural and typified by basic white homes and cottages reminiscent of the Mediterranean,” explained Maddock.

Pearl Bay Residence by Gavin Maddock Design Studio

The verticality of the building’s double-height volumes is emphasised by strips of glazing that interrupt the surfaces of the front and rear sections.

A garage that extends towards the road is fronted by a rolling timber shutter. It adjoins a sheltered entrance to one side and a two-storey wing that consists of bedrooms on both its ground and first floor levels.

Pearl Bay Residence by Gavin Maddock Design Studio

The entrance leads to a single-storey gallery that connects the home’s two pavilions. 1 side of the passage accommodates a daybed and artworks sheltered from the sun by a timber screen. The other side is lined with sliding doors that open onto the turfed spot.

Pearl Bay Residence by Gavin Maddock Design Studio

The major residing, kitchen and dining spaces on the ground floor are positioned to search out in the direction of the ocean through total-height windows, which slide to one side to produce the really feel of an outside terrace.

Pearl Bay Residence by Gavin Maddock Design Studio

A timber deck between the lounge and the garden can be sealed off with sliding partitions on both side. When all the glazing is retracted the entire rear of the ground floor is open to the sea breezes.

Pearl Bay Residence by Gavin Maddock Design Studio

“There is a seamless movement among these spaces and a sense of uninterrupted connection among inside and outdoors,” explained Maddock, who additional that the opening in the direction of the ocean “was stretched to the greatest of 14 metres making use of strategically placed columns.”

Pearl Bay Residence by Gavin Maddock Design Studio

The master bedroom and its en-suite on the 1st floor can also be opened up to the sea views on two sides.

Pearl Bay Residence by Gavin Maddock Design Studio

A custom-created shower encased in glass was added to maximise the feeling of room in the bathroom.

Pearl Bay Residence by Gavin Maddock Design Studio

Components and furniture throughout the residence were picked to include a warm and tactile contrast to the white walls.

Pearl Bay Residence by Gavin Maddock Design Studio

The texture of granite tiles references rocks along the shoreline, even though the bedroom floors are made from wide oak boards.

Photography by Adam Letch.


Venture credits:
Consultants:
Structural Engineer: Hulme &amp Associates
Geotechnical Engineer: Kantey &amp Templer
Land Surveyor: Neil Spencer &amp Associates
Contractor: McNeil Construction
Suppliers:
Art: Jana Maddock (huge piece in the Livingroom),
Andre van Vuuren – ‘Carmel Art’ (artwork in the Gallery), Nel Luyendyk – ‘Ghuba Gallery’ (artwork in the gallery), Lulli de Villiers-Hamman – ‘Sembach Gallery’ (art in the bedroom)
Furniture: GMDS developed pieces, Limeline (Minotti &amp Knoll, Artemide, Martinelli Luce), Weylandts, Okha
Tiles &amp Stone: WOMAG
Timber flooring: Oggie Flooring
Blinds &amp Curtains: Up The Track (Silent Gliss)
Lighting: Lumen8, DM Agencies (Spazio), Eagle

Pearl Bay Residence by Gavin Maddock Design StudioWebsite prepare Pearl Bay Residence by Gavin Maddock Design StudioGround floor plan  Pearl Bay Residence by Gavin Maddock Design StudioVery first floor strategy Dezeen

Comparison Is The Thief Of Joy

&quotComparison Is The Thief Of Joy&quot // An open conversation about insecurities (via Dream Green DIY)

This unscheduled post is the result of a moment that just took place, that I couldn&#8217t assist but share in situation you&#8217re feeling the identical way. I was sitting right here, minding my own company, plugging away on an assignment editing photos, when my Pandora switched to a new song. The tune was Colbie Caillat&#8217s Try out, and though I always tend to tear up when this song comes on because of its ultra powerful lyrics, I out of the blue and totally broke down—we&#8217re talking an ugly, near-sobbing cry.

&quotComparison Is The Thief Of Joy&quot // An open conversation about insecurities (via Dream Green DIY)

The emotion took me entirely by shock (tears are practically even now drying on my encounter as I variety this), but it didn&#8217t take long to understand exactly where it all came from. The reality is that comparison has been eating me alive. Have I unintentionally stepped on someone&#8217s toes with a venture? Have I accidentally strayed as well near to another particular person&#8217s aesthetic? And, on a a lot more substantial scale, is my brand worth pouring my heart and soul and life into when absolutely everyone else is carrying out items a lot greater and much greater than me?

&quotComparison Is The Thief Of Joy&quot // An open conversation about insecurities (via Dream Green DIY)

I am hounded by insecurities that make me query my ability to keep up in this organization. Do they like me? Will they notice me? Will they work with me, trust my capacity, or will I have to adjust to fit the &#8220mold&#8221? And, of course, on a individual level, do my pals believe I&#8217m pretentious each time I deliver up what I have managed to complete? I hardly go out and I never ever deliver up or celebrate my accomplishments with others for worry that my friends will smile, nod and then believe, &#8220Well, doesn&#8217t she believe she&#8217s particular. Give me a break.&#8221

&quotComparison Is The Thief Of Joy&quot // An open conversation about insecurities (via Dream Green DIY)

I know that these insecurities aren&#8217t based on reality, and even just as I variety this, I&#8217m realizing that fear is typically so much bigger than the truth. I know my pals don&#8217t secretly detest me and I know that my operate is a crusade worth the journey—but I also know that I can&#8217t please everybody, and I detest (detest!) that more than anything at all. I just want to be liked. Do you ever really feel this way? Even if you aren&#8217t a blogger—maybe you&#8217re a mom, a teacher, an accountant, a software creator or a pupil. Do you consider so challenging you come to feel like you&#8217re going to break?

&quotComparison Is The Thief Of Joy&quot // An open conversation about insecurities (via Dream Green DIY)

If you&#8217re in a similar predicament and feeling like the planet is against you, and if that dreaded comparison game is murdering your joy, know that fear—at the heart of it all—is just an emotion. Actuality is frequently so significantly brighter than the image our worries and insecurities paint. Please, oh please, don&#8217t let comparison be the thief of your joy.

Appear in the mirror. Do you like you? Attempt&#8230

&quotComparison Is The Thief Of Joy&quot // An open conversation about insecurities (via Dream Green DIY)

(calligraphy stencil by Leen Jean Studios)

P.S. Don&#8217t worry mom—I&#8217m fine.

Dream Green DIY

SelgasCano Unveils First Images Of Colourful 2015 Serpentine Pavilion Design

Spanish architects José Selgas and Lucía Cano have exposed their proposal for the 15th Serpentine Pavilion in London – a “chrysalis-like” construction created from colourful see-through plastic.

Occupying a room in front of the Serpentine Gallery in London’s Kensington Gardens, the temporary pavilion is envisioned as a series of linked spaces of various shapes and sizes, made from a double-layer shell of opaque and transparent fluorine-plastic fabric (ETFE) in an array of colours.

The plastic will filter the daylight like a stained-glass window, casting coloured light into the interior spaces, which include a central gathering region and cafe. An evening image presented by the architects exhibits the structure lit from within.

“We sought a way to let the public to expertise architecture via basic factors: construction, light, transparency, shadows, lightness, type, sensitivity, adjust, shock, colour and components,” explained the Madrid-based architects.

“The spatial attributes of the pavilion only unfold when accessing the framework and currently being immersed within it. Every single entrance allows for a particular journey through the area, characterised by colour, light and irregular shapes with surprising volumes.”


Associated story: Madrid-based mostly SelgasCano to layout Serpentine Gallery Pavilion 2015


The fabric will be organized in panels, with strips of materials woven via or wrapped all around parts of the structure like webbing. The double shell will develop a corridor between the inner and outer layer of the pavilion, and visitors will be ready to enter through several openings in the sides.

Serpentine-Gallery-Pavilion-2015-by-Selgas-Cano_dezeen_468_1

SelgasCano are the initial Spanish designers to layout the short-term pavilion, which is commissioned and constructed each year by the Serpentine Gallery in London’s Kensington Gardens.

The duo are identified for combining new technologies and synthetic materials with an interest in the organic world, and typically use vivid colours and transparent surfaces in their tasks.

Their own studio is a see-through woodland tunnel, and a recently finished workplace refurbishment in London characteristics an orange plastic seating location that bulges out of the facade.

“In maintaining with their track record for playful patterns and daring use of colour, SelgasCano’s construction will be an extraordinary chrysalis-like construction, as organic as the surrounding gardens,” said Serpentine Galleries director Julia Peyton-Jones and co-director Hans Ulrich Obrist.

The Serpentine commissions a different architect to produce the pavilion every single 12 months, supplying them the opportunity to produce their 1st developed construction in England.

Prior pavilion architects have included Peter Zumthor, Zaha Hadid, Sanaa, Herzog &amp de Meuron, Frank Gehry and Jean Nouvel. Last year’s boulder-like pavilion was developed by Chilean architect Smiljan Radic.

“We are very much conscious of the pavilion’s anniversary in our design and style for the 15th yearly commission,” mentioned SelgasCano. “The construction as a result had to be – without resembling prior Pavilions – a tribute to them all and a homage to all the stories told inside individuals designs.”

The 2015 Serpentine Pavilion will open on 25 June and close on 18 October. It will host a variety of parties and public talks, as properly a series of evening events sponsored by fashion brand COS. These will incorporate new commissions by artists Jesse Darling, Fleur Melbourn and Marianna Simnett.

Dezeen

Nathalie Dackelid’s “wooden Tablecloth” Folds Out To Form Table Extensions

This table by design student Nathalie Dackelid can be extended by folding out a series of batons that hang beside the legs (+ movie).

The ash table comprises a 4-legged frame topped with a row of prism-shaped batons, which are held with each other with an extendable rubber cord.

Wooden Cloth table by Nathalie Dackelid

When the table wants extending, lengths of wood connected by sliding dovetail joints are pulled out from beneath the leading on both side.

The additional batons hanging down from the table grow to be horizontal a single by 1, following the extending segment to generate a flat surface.


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“Alternatively of obtaining drop-leaf building exactly where the hanging table tops shut off 1 or two sides I desired to create a use for the hanging elements, which flip out to appear like a tablecloth when it is contracted,” explained the designer, who is studying at HDK Steneby in Sweden.

Wooden Cloth table by Nathalie Dackelid

The triangular cross-sections enable the batons to rest at right angles to each other and hang vertically from the table edges.

“Soon after striving different shapes connected together with a rubber string I identified out that the triangles worked well,” Dackelid informed Dezeen. “The stress of the cord and the angle of the triangles designed a quit at the ends and fixed the table top in area.”

Wooden Cloth table by Nathalie Dackelid

“The finish grain of the ash wood helps make a gorgeous pattern in the triangular form, which also reminds me of my grandmother’s crocheted tablecloths,” she added.

The designer’s intention is that the flexibility of the piece will give it greater longevity.

Wooden Cloth table by Nathalie Dackelid

“The table is created to adapt itself in size to the numerous various conditions in existence, prolonging its usefulness,” she stated. “This could be a move to a more substantial apartment, accommodating a number of additional close friends for dinner, or just freeing up a small additional area to dance.”

Wooden Cloth table by Nathalie Dackelid

This table was exhibited on the HDK Steneby stand in the Greenhouse area for emerging talent at last month’s Stockholm Furnishings Fair.

Photography is by Steven Polak.

Dezeen

Japanese House Extension By Container Design Is Arranged Around A Covered Courtyard

This addition to a home in Kudamatsu, Japan, attributes an oversized pitched roof and a covered courtyard surrounded by arched openings .

Courtyard in Kudamatsu by Container Design

The two-storey creating is positioned close to the client’s existing family property and was made by architect Takanobu Kishimoto of Kobe-based Container Layout to give extra residing spaces – like a kitchen, dining area, sitting room, standard tatami space and a research.

Courtyard in Kudamatsu by Container Design

The main entrance opens onto a double-height area described by the architect as an indoor courtyard, with a floor covered in pebbles and paving slabs that form paths across its surface.

Courtyard in Kudamatsu by Container Design

The buildings sit on a plot separated from a busy road by a wall with an opening and no gate, so the architect was asked to create a structure that encourages the kids to perform in the region in between the two buildings and away from the street.


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“Their principal hope is that they can pass among their family home and their children can run all around within and outside the home,” explained the architect.

Courtyard in Kudamatsu by Container Design

A yard between the buildings is planted with trees and shrubs that produce a clear route from the end of the new construction to the side of the existing constructing.  A window and porch in the addition are arranged facing the primary residence to create a visual connection in between the two.

Courtyard in Kudamatsu by Container Design

The opposite side of the new building presents a reliable white facade to the street, partially blocking the see of the principal property.

Courtyard in Kudamatsu by Container Design

“The family house is witnessed from the prefectural road, for that reason the new home was created near that road,” mentioned the architect. “As a result, I considered that the home will be produced like a gate and fence in the site.”

Courtyard in Kudamatsu by Container Design

The relationship amongst the two elements of the home is emphasised by the elongated sloping roof of the addition, which echoes the tiled pitched roof of the property behind it. An opening in the roof produces an enclosed terrace on the road-side of the constructing.

Courtyard in Kudamatsu by Container Design

Protrusions that angle in opposite instructions to the major roof structure develop extra space for rooms on the upper floor.

Courtyard in Kudamatsu by Container Design

The long elevation dealing with the car parking location in front of the major house is interrupted by two arched doorways a standard sized 1 covered by a curving canopy, and a smaller a single for young children.

Courtyard in Kudamatsu by Container Design

The more substantial entrance opens onto the covered courtyard. A staircase positioned diagonally across this wood-lined space ascends to the upper floor, in which two spare rooms, a examine and a terrace are located.

Courtyard in Kudamatsu by Container Design

The room is surrounded by wooden walls punctuated by arched openings that lead to other rooms, or frame windows that fill the area with all-natural light. It is covered by a gently arched ceiling.

Courtyard in Kudamatsu by Container Design

This room and a examine on the mezzanine degree at the best of the stairs both feature exposed wooden walls. The rest of the interior walls are painted white to develop neutral spaces that make the most of the available light.

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