This artwork museum by Chinese firm Praxis d’Architecture attributes textured tiled walls, protruding windows and stepping roof terraces that overlook a lake close to Beijing (+ slideshow).
Photograph by Jin Fengzhe
The four,700-square-metre Spring Artwork Museum hosts an artists’ residency programme and exhibition spaces in Beijing’s Songzhuang suburb. A couple of modern artwork lovers commissioned the Beijing practice to design and style the museum to advertise the work of young artists.
Photograph by Jin Fengzhe
The building sits up coming to a cluster of galleries and studios that type an artists’ local community around the edge of a lake. It is bracketed by the lake to the north and by the Songzhuang Artwork Museum to the south.
Photograph by Jin Fengzhe
“In the design and style we sought a piece of architecture that is open, culturally rooted, and arousing a feeling of sublimity,” stated the architects, who gave the building a U-shaped program that surrounds a raised courtyard in the centre of the plot.
Photograph by Xia Zhi
This layout is meant to mimic the type of neighborhood courtyard residences, they mentioned: “The constructing massing was resolved into a U shape that recalls traditional triple residence courtyard familiar to the neighborhood people.”
Photograph by Jin Fengzhe
The courtyard is raised 1.6 metres above an adjacent road and forms the major entrance to the museum, which features glazed galleries at ground degree.
The light-toned walls are contrasted towards the courtyard’s grey and terracotta-coloured paving stones, which are laid over a series of underground exhibition spaces and studios.
Photograph by Jin Fengzhe
A pair of sunken gardens channel light and air down to the basement, even though a broad flight of stairs leads up to a series of stepped roof terraces.
Photograph by Xia Zhi
The staggered roofline creates exhibition spaces with varying ceiling heights and dimensions, which are designed to accommodate distinct sorts of artwork ranging from sculptures to paintings.
Photograph by Xia Zhi
The exhibiting spaces have white walls and aluminium gridded ceilings that disguise electrical function and lighting to develop a “uniformed materiality to obtain a clean, consistent and neutral environment optimised for exhibiting artwork.”
Photograph by Zhou Ruogu
Hatch-like windows protrude from the upper floors, naturally lighting the artworks and directing views away from the adjacent buildings and towards pockets of vegetation.
Photograph by Xia Zhi
“To receive outdoors views from inside was one particular of the aspirations of the style,” mentioned the studio.
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“The views are attentively uncovered by way of a few valuable protruding windows in the significant exhibition spaces, producing room for a single to contemplate on the sight of actuality prior to returning to art.”
Photograph by Xia Zhi
The venture took six years to comprehensive, and is portion of a boom in China that has witnessed more than 3,500 museums finished considering that 1978. Between them are projects by Kengo Kuma, Steven Holl and David Chipperfield, as well as Jean Nouvel – whose National Artwork Museum of China is presently below development in Beijing.
Photograph by Xia Zhi
A Chinese outpost of the V&A museum by architect Fumihiko Maki is also underway in Shenzhen, even though in Hong Kong Herzog & de Meuron is working on the M+ Museum for modern artwork.
Photography is by the architects, except if otherwise stated.
Project credits:
Architect: Praxis d’Architecture
Undertaking Architect: Di Shaohua
Group: Zhang Xiaodong, Liu Xing, Di Xiangjie, Feng Jiancheng, Feng Shuxian
Floor ideas – click for more substantial picture 
Section – click for larger picture
