Shift Uses CMY Film To Create Rainbow Hues Across Bernard Tschumi’s Groningen Pavilion

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Shift Architecture Urbanism has updated Bernard Tschumi’s glass pavilion in Groningen by applying a layer of translucent movie displaying all of the colours of the rainbow .

CMY Pavilion by Shift architecture urbanism

The Glass Video Gallery was finished by Swiss architect Bernard Tschumi in 1990 as element of an outdoor exhibition in the Dutch city.

Twenty-5 many years later on, Rotterdam studio Shift has adapted the framework so that, as site visitors move around it, colors seem to mix into an additional and create new shades.

CMY Pavilion by Shift architecture urbanism

Named CMY Pavilion, the design is primarily based on the subtractive colour technique – a approach normally utilized in printing in which cyan, magenta and yellow, collectively acknowledged as CMY, are mixed to produce a more substantial range of colors.

Bands of CMY transparent movie were applied to the glass facade of the box-like framework, making it possible for light to pass by means of and mix the colors. This permits guests to see a significantly wider spectrum of hues.

CMY Pavilion by Shift architecture urbanism

“We fully wrapped the transparent pavilion in a colour pattern,” Shift director Thijs van Bijsterveldt informed Dezeen. “The glass walls enable it to turn into a 3-dimensional graphic piece that alterations with the viewpoint of the spectator.”

CMY Pavilion by Shift architecture urbanism

Depending on the viewpoint, the strips of movie develop secondary “virtual colours” at the factors in which they overlap – a strategy previously utilized by Studio Dennis Parren to develop a lamp that casts coloured shadows.


Relevant story: Architects from Dublin and Belfast install red and yellow pavilions at London’s King’s Cross


“Cyan and magenta make blue, yellow and cyan make green, and yellow and magenta make red,” Bijsterveldt explained.

CMY Pavilion by Shift architecture urbanism

Throughout the night, the structure is illuminated from the inside – making it possible for the colour-mixing result to continue.

CMY Pavilion by Shift architecture urbanism

Tschumi was one particular of five architects enlisted by the Groninger Museum at the begin of the 1990s to produce pavilions ideal for viewing music videos.

Structures by Peter Eisenman, Coop Himmelblau and Zaha Hadid have because been dismantled, while the fifth – by OMA – now functions as a bus cease.

CMY Pavilion by Shift architecture urbanism

Shift is the very first architecture studio to update Tschumi’s pavilion, even though more than 80 artists have developed interventions for the structure in the final 25 many years.

“In the past, interventions had been completed by different varieties of artists that mostly utilized the glass pavilion as an urban vitrine for their operate,” stated Bijsterveldt. “As architects, we have been interested in interacting with the pavilion itself.”

CMY Pavilion by Shift architecture urbanism Bernard Tschumi’s 1990 Glass Video Gallery without having Shift’s movie

Situated by a active junction in Groningen, the pavilion will remain in its recent state till September 2015.

It bears a similarity to SelgasCano’s recently put in Serpentine Gallery Pavilion in London – a rainbow-coloured structure built employing coloured, translucent and mirrored plastic sheeting.

CMY-pavilion-by-Shift-architecture-urbanism_dezeen_1_1 Site program CMY Pavilion by Shift architecture urbanism Net for CMY film CMY Pavilion by Shift architecture urbanism Magenta position diagram CMY Pavilion by Shift architecture urbanism Cyan place diagram CMY Pavilion by Shift architecture urbanism Yellow position diagram CMY Pavilion by Shift architecture urbanism Diagram displaying the overlay of the colors Dezeen

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