Interaction designer Daniel Bjorkman has created a conceptual adaptive brand and visual identity for Swedish art college Akademin Valand .
The logo spells out Valand in stacked letterforms, which form component of a rectangular grid of circle, triangle and square shapes in a variety of colors.
The colours of the brand can be modified using an on the internet tool, which would permit teachers and students at the university to upload a portrait or image of their deciding on.
The brand generator generates a new graphic symbol using the underlying structure of the logo, but with colors from the uploaded picture. Folks can then download their individual symbol for use on printed or digital materials.
Connected story: Nationwide Museum of Qatar to crowdsource its visual identity
“I believe an artwork school ought to be about a time for experimentation, and everyone who attends will have such a different expression,” Bjorkman informed Dezeen. “It would be nice if that could shine by means of in how the school presents itself.”
The several attainable outcomes of the logo are reflective of the Gothenburg school itself, which teaches a wide variety of disciplines which includes art, photography and film.
“I settled on easy geometric shapes that correspond to every single letter on every row, but in a less complicated way, and put them in a pattern that could be employed just by itself or mixed collectively to develop greater patterns,” Bjorkman mentioned. “Then it was a matter of taking that vision and putting it into code and making it generative.”
Associated story: Pentagram rebrands MIT Media Lab with grid-generated glyphs
New York style agency Sagmeister & Walsh has created a similarly adaptive identity for cloud software management brand Fugue – even though in this instance the logo changed according to touch and sound input.
“Design and style will certainly be much more adaptable and governed by code in the potential at least,” Bjorkman added. “As we develop more affordable display and digital paper designers will have to understand what can be accomplished and utilise the prospects and restraints of these new mediums. I believe a lot of the intriguing items that can be done will be by programmatic/generative design.”
