Wooden Poles Randomly Strike The Ground At Zimoun’s Installation In New York

Vertical wooden laths cyclically pummel the floor of a cavernous New York factory creating in this set up by Swiss artist Zimoun (+ film).

Studio Zimoun installation at Knockdown Center NYC

Zimoun hung 250 wooden poles from thin ropes connected to the twelve-metre-large ceiling beams of the Knockdown Center NYC – a 1903 factory constructing in Queens that has been restored as an artwork and music venue.


Relevant story: Mischer’Traxler’s kinetic Ephemerā installation “comes alive” when site visitors walk away


Each and every length of rope is connected to an electrical motor, which raises the lath 25 centimetres off the ground and drops it so it hits the ground.

Studio Zimoun installation at Knockdown Center NYC

This approach is repeated at random intervals, making a choreography of uneven jostling and a cacophony of thuds.

Studio Zimoun installation at Knockdown Center NYC

“Through this technique, all laths are in movement and produce complicated visual and acoustic patterns, rhythms and structures,” mentioned Zimoun.

The ropes are all somewhat longer than necessary to enable the ends of every pole to touch the floor. This implies that they rest tilted, changing place every single time they land.

Studio Zimoun installation at Knockdown Center NYC

The arrangement of the 930-square-metre room makes it possible for guests to walk about the thudding sticks in which the ceiling height is decrease.

Members of the public are also permitted to walk between the laths as they execute the random dance.

Studio Zimoun installation at Knockdown Center NYC

“Undertaking so, they are surrounded by the indeterminate orchestra of sounds caused by 250 laths falling to the floor,” Zimoun mentioned. “Rhythms build and interlock dependent on the person position of the visitor, and diverse patterns and polimetric rhythms evolve.”

Studio Zimoun installation at Knockdown Center NYC

Zimoun also employed motors to add bumping and spinning motions to 3 installations manufactured up of cardboard boxes – another portion of his exploration into what he describes as “sound architecture”.

“It is about creating a situation and focusing on the vibrations taking place at the present minute,” Zimoun explained. “It truly is about generating a straightforward technique, which then gains dynamism, turning out to be richer in its behaviour.”

Studio Zimoun installation at Knockdown Center NYC

The Knockdown Center set up will continue to be in place right up until eight March at 52-19 Flushing Ave, Maspeth, New York.

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Szczecin Philharmonic Hall In Poland Captured In New Photographs By Hufton + Crow

These new shots by Hufton + Crow offer an in-depth search at the pointy profile and expansive interiors of the Polish concert hall that was recently shortlisted for the Mies van der Rohe Award 2015 and this year’s Styles of the Year .

Szczecin concert hall photographed by Hufton + Crow

The Szczecin Philharmonic Hall by Spanish studio Barozzi Veiga was a single of forty projects named on the shortlist for the most prestigious accolade in European architecture, and one of three buildings recognised in Poland, alongside Lahdelma &amp Mahlamäki’s Museum of the History of Polish Jews.


Associated story: MVRDV’s Markthal Rotterdam photographed by Hufton + Crow


Szczecin concert hall photographed by Hufton + Crow

It was also between the 76-sturdy listing of nominees for the Patterns of the Yr awards 2015, which features 15 architecture projects.

Szczecin concert hall photographed by Hufton + Crow

A series of adjoining gables give the constructing its zigzagging roof profile, created to develop the look of a row of smaller sized structures. It also characteristics a translucent ribbed-glass facade that glows soon after dark.

Szczecin concert hall photographed by Hufton + Crow

Inside, a grand spiral staircase offers access to the different auditoriums and event rooms, which incorporate a 1000-seat concert hall, a 200-seat venue for chamber music, and a number of conference rooms and galleries.

Szczecin concert hall photographed by Hufton + Crow

Szczecin Philharmonic Hall was finished in 2014 – read far more about it in our earlier story.

Szczecin concert hall photographed by Hufton + Crow

See far more photography by Hufton + Crow on their website.

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Philippe Baumann’s Courtyard House Is Shielded Behind A Metal Mesh Cage

A grid of hinged metal shutters form a privacy display across the windows of this terraced property in New York that architect Philippe Baumann made for himself and his partner .

Courtyard House by Philippe Baumann

The residence is found in the Gowanus neighbourhood of Brooklyn and was developed by the Baumann Architecture founder as a conversion and extension of an existing 1950s garage.


Associated story: Red Rock Residence by Anmahian Winton Architects sits on a forested New York hillside


Courtyard House by Philippe Baumann

The architect added a second floor, courtyard and basement to the original cinder block framework, which was stabilised by adding a new steel framework.

Courtyard House by Philippe Baumann

A galvanised mesh display continues the developing line of the neighbouring structures and types a protected smoking porch among the pavement and the house’s wooden frontage.

Courtyard House by Philippe Baumann Photograph by Bruce Buck

This gap in front of the recessed facade also accommodates a balcony available from a corridor on the 1st floor.

Courtyard House by Philippe Baumann

Windows integrated into the facade on both ground and very first floor amounts can be concealed behind the folding shutters, which are covered in a a lot more dense perforated mesh than the rest of the surface.

Courtyard House by Philippe BaumannPhotograph by Bruce Buck

The use of mesh and exposed galvanised metal references the site’s proximity to industrial landmarks, such as a concrete production plant and an elevated train track.

Courtyard House by Philippe Baumann Photograph by Bruce Buck

Two doors set behind the metal framework provide entry to a prolonged and narrow unbroken space that consists of the house’s kitchen, living and dining places.

Courtyard House by Philippe Baumann

The ground floor prepare is interrupted by a central courtyard, flanked on the two sides by sliding glass doors that allow views of the sky and a fringe of plants sprouting from a rooftop backyard.

Courtyard House by Philippe Baumann Photograph by Bruce Buck

A little patch of grass set into the concrete paving was additional as a “reference to the American dream” – an ironic counterpoint to the home’s urban setting. A corridor that runs along one particular edge of the courtyard connects the principal house with a separate single-storey lounge area.

Courtyard House by Philippe Baumann Photograph by Bruce Buck

To the proper of the primary entrance is a kitchen accommodated behind brilliant yellow painted walls, even though directly ahead is a staircase with open treads that prospects to bedrooms on the initial floor.

Courtyard House by Philippe Baumann Photograph by Bruce Buck

A raised walkway on best of the ground floor corridor prospects from the landing to a vegetable plot on the roof of the lounge at the opposite side of the open room.

Courtyard House by Philippe Baumann

A even more staircase ascends from the first floor to a garden full of indigenous plants that seems out towards the Upper Bay and the railway line.

Courtyard House by Philippe Baumann Photograph by Bruce Buck

Supplies throughout the interior are applied in their raw state to improve their inherent character and keep the constant industrial aesthetic.

Courtyard House by Philippe Baumann

The structural steel beams that punctuate the floor plates are left exposed, as are the concrete floors and cinder block walls in 1 of the bedrooms. A mesh panel flanking the staircase recalls the transparent facade cladding.

Courtyard House by Philippe Baumann

Skylights introduce all-natural light into the bathroom and circulation regions, with the glass treads of the staircases guaranteeing it is able to permeate as far as the basement.

Courtyard House by Philippe Baumann

Photography is by Michael Moran, unless otherwise stated.

Courtyard House by Philippe BaumannAxonometric diagram Courtyard House by Philippe BaumannGround floor prepare Dezeen

Laptop Cushion Is A Very Clever Idea!

Today many people from their laptop perform. You also count in the direction of these men and women? If Yes, then you know exactly how important it is to put up effortlessly and to position the entire body so that there is no jokes right after two hrs.

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In this sense, it is worth for sure this kind of items to invest in, that make your daily sitting comfortable. A very good instance of this is the laptop pillow. Anyone who spends at least 5 hours a day on his laptop, should be concerned some.

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We have brought together some very exciting photographs of the laptop cushion, to give you inspiration. Appear at this contemporary and super practical versions. There are confident to see some thing great!

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Wonderful Shabby Chic Decorating Ideas For Valentines Day

Wonderful Shabby Chic decorating suggestions for Valentine&#8217s day The Shabby Chic style is really sweet and cute, it&#8217s relatively Vintage and seems really relaxed and beautiful. Let&#8217s see how you can decorate your property for Valentine&#8217s day in this beautiful design. Shabby chic Valentine&#8217s day is, 1st and foremost, hearts, hearts from different components-materials, paper and cardboard, wood and buttons. Use Vintage cards, letters, paper, outdated stuff. Make garlands from vintage buttons and spools, and garlands of fresh blush and white roses. Get previous exquisite candlesticks and put just white candles in them-and voila, a romantic Valentine&#8217s evening has begun.

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Wonderful Shabby Chic Decorating for Valentines Day

Wonderful Shabby Chic Decorating Ideas for Valentines Day

Wonderful Shabby Chic Ideas for Valentines Day

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