Abigail Ahern’s Living Room Wall Before + After

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Hello everybody and happy Friday! Let&#8217s leap correct in right now, shall we? Okay so I&#8217ve been following London-based mostly interior designer Abigail Ahern for several years, particularly given that meeting her in London when she spoke at a single of my mood board workshops at Anthropologie in 2011. In reality, you can see her below speaking at an event I had with her as a guest sharing her very very own mood board. I keep in mind thinking at that time that we&#8217d have to keep in touch due to the fact I actually appreciated her vision and thoughts all around style and I appreciated how she pushes the envelope when it comes to decorating &#8211 that nothing need to ever be boring or best. That Bold is quite, very excellent.

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I not too long ago noticed that Abigail was renovating a wall in her residing area which has become a bit of the iconic Abigail style function as I usually feel of this living area and the bookcase wallpaper as being really Abigail. When I saw she would be ripping it down, I had to request her why and if she&#8217d share the new feature wall with all of us today and she agreed &#8211 so here it is along with a quick interview.

B E F O R E

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A F T E R

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Okay so my 1st query, why Superman?
AH: My studio desk is on the balcony overlooking this wall, so I essential one thing inspiring. When I’m getting one of my a lot of conundrums or twelve hour working days, I can glance across at him and be reminded to in no way give up. Superman is my motivation! (Note: Painting is known as, &#8220Look! Up in the sky!&#8221 by artist Barbara Smith).

Why did you eliminate the bookcase wallpaper?
AH: I’ve had the bookcase wallpaper for yonks, ever because I very first painted the property dark. Although I really loved it I felt like it was time for a alter with the darker palette. Plus the paint looked so stunning on the walls I wished every thing in it. I ummed and ahhed a lot prior to performing it but now I wonder what took me so lengthy!

Would seem you went from colorful moody (before) to natural moody (soon after). What inspired the lack of colour?
AH: Nowadays I opt for a much more reigned in colour palette and sophisticated glam vibe, rather than vivid pops of colour. When I designed my paint range I painted the total property out in my new colours, which are deeper, darker and a lot more saturated than I&#8217d ever gone just before. All of a sudden the bright pops looked a bit as well garish for my liking! So rather than employing colour, the wow element now comes from both playing with scale (like the oversized artwork pieces and jumbo cactus) or from using intriguing texture and components (the nearly “caveman”-esque Dawlish console!)

What is the paint color and brand? Why dark with spring/summertime approaching?
AH: The paint colour is Madison Grey from my own paint variety &#8211 a beautiful, bottom of the lake grey hue with undertones of green. It changes subtly with the light, and it&#8217s my all-time favourite, all year round. Plus in the summertime all the greenery stands out superbly towards dark walls, with my forest-y garden past.

What inspired the green thumb? Are the plants true or faux?
AH: Every single one of the plants are faux, from my new very own-label. When I was creating my SS15 collection I took a cowboy theme and ran with it, so we have all these outstanding desert-inspired botanicals and jumbo sized cactus. A enormous delivery of the cactus turned up on my doorstep when we have been functioning on the samples, and because then I’ve been obsessed with adding them to every room in the house.

The place is the credenza from and the print?
AH: It’s the Dawlish sideboard from my retailer. The print, Lelia, is by photographer is Hannah Lemholt.

I enjoy the placement of your television – yours is so cleverly concealed. Can you give readers some ideas on concealing a Television?
AH: The Television is mounted on a swivel arm, so it can be tucked quietly away when we’re not watching it. It’s important for me to be able to disguise it, as I would by no means ever want the telly to be a attribute! The simplest trick you can do when it comes to concealing TVs is to paint the wall out behind it in a dark hue (yes, I am on a mission to attempt to convert everybody to the dark side!)

What’s the secret of going dark and moody in a room with out it feeling depressing?
AH: That’s an effortless one to answer, since I in no way find dark interiors depressing! They’re exceptionally comforting and cocooning, although even now being glam. The trick is to reign in the colour palette, and let the walls generate all the drama. You also want to nail the lighting, and add a handful of far more lamps than you typically would, but that is pretty much it.

What&#8217s in the pipeline for you Abigail (any projects we must appear out for)?
AH: My new book, COLOUR, is out on 23rd April. It’s a significantly larger, fatter tome than my prior books, packed with my prime tips for daring colors, and lovely photos that we shot in some of the coolest properties around the globe. I’ve desired to do one thing on colour forever, so I’m truly thrilled about it. I’m also in the approach of tweaking my AW15 personal label collection, while at the exact same time doing work on SS16 Finally, if I can squeeze it in we&#8217ve received plans to take the Style School to Australia and American this 12 months so its pretty full on!

Thanks Abigail for dropping in today &#8211 have a wonderful weekend and considerably good results on your upcoming guide!

(pictures: best: Mark Wilson residing rooms: Abigail Ahern)


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Google’s New HQ Will Be “more Like A Workshop Than A Corporate Office” Says Bjarke Ingels

Unique: BIG founder Bjarke Ingels says Google’s ambitions for its Silicon Valley campus had to be reigned in to create a unique working setting that is “buildable and doable” (+ movie).

Speaking to Dezeen today, Ingels mentioned that he and project collaborator Thomas Heatherwick are aiming to set the “industry regular” for workplace layout with Google’s new headquarters in Mountain View, California.


Connected story: Massive and Heatherwick unveil “vibrant new neighbourhood” for Google’s California HQ


But the duo – whose assorted portfolios include a backyard bridge across London’s Thames and a combined energy plant and ski slope – had to manage the tech giant’s expectations to generate a buildable scheme.

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“In this situation, each Heatherwick and ourselves had the feeling that we were doing work with a client that was consistently setting the aim way even more then we had been utilised to,” explained Ingels.

“Our work, rather than making an attempt to stretch everybody’s imagination, was to really try out to land someone’s imagination in a way that would be buildable and doable.”

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Huge and Heatherwick Studio unveiled their collaborative prepare to redevelop four internet sites final week, creating a versatile new headquarters of buildings and gardens sheltered beneath translucent canopies.

Ingels explained the result would be “far more like a workshop than a corporate office” – and described it as a series of structures that can be adapted or replaced as Google’s wants alter.

“We are attempting to retain this feeling of possessing an surroundings that any individual can in fact hack if they want to,” he said. “It doesn’t specifically appear like a dull workplace constructing.”

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Silicon Valley’s two other massive tech organizations – Apple and Facebook – also have new campuses underway, with designs by architectural heavyweights Norman Foster and Frank Gehry. But Ingels said that Google North Bayshore is the 1 that will grow to be a model for the workplace of the long term.

The design and style will follow in the footsteps of the Googleplex, designed by architect Clive Wilkinson and also positioned in Mountain View, in which the business has been based for the final 15 many years.

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“With Google came the success of their functioning surroundings everybody knew that they had foosball and slides and beanbags and snacks,” explained Ingels.

“What came from that pioneering knowledge has turn out to be the new established way of performing things, and 1 of Google’s ambitions with this project was to do it again. The Google workplace 1. has grow to be the industry common and there is a real ambition to try out to seem at the Google 2..”

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According to the architect, the undertaking will continue the engineering industry’s shift away from the cubicle in workplace layout, which he says will quickly disappear in favour of “much more flexible and interconnected floor plates”.

“Paradigms are altering across the board,” he said. “The emphasis is on the relevance of innovative work – that you have visual relationships and physical relationships between as many co-staff as possible.”

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Ingels and Heatherwick, the two nonetheless in their 40s, have been operating on the undertaking for just under a 12 months. Their proposal involves not only buildings, but trees, landscaping, cafes, and bike paths, all sheltered beneath the network of canopies.

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Watch the full interview with Bjarke Ingels in our exclusive film series, coming quickly on Dezeen.

Dezeen

Competition: Five London Landmarks And Elevations Posters To Be Won

Competitors: Dezeen has teamed up with Gothenburg-primarily based Studio Esinam to give readers the chance to win its newest monochrome prints displaying elevations of iconic structures in London.

Studio Esinam has added prints of architectural elevations in London to its Landmarks and Elevations assortment, which at the moment includes Tokyo, Berlin, Paris, Brooklyn, Stockholm and Gothenburg.

London Landmarks and Elevations posters by Studio Esinam

Thorough line drawings are utilized to represent each and every of the buildings and structures, which studio founders Josefine Lilljegren and Sebastian Gokah feel typify the Uk capital.


Associated story: Pablo Benito illustrates worldwide clubbing meccas


“When making the prints we are in a way seeking for the character or soul of the city’s architecture. The special feel to it,” Gokah advised Dezeen.

“Even so we did not really feel that the exclusive character of London was linked to the city’s architectural incoherence but rather rooted in its historical architecture and qualities of scale proportion, materiality, particulars and craftsmanship.”

London Landmarks and Elevations posters by Studio Esinam

The new Elevations posters illustrates five London buildings. St Paul’s Cathedral, Nelson’s Column and Marble Arch are shown alongside the Elizabeth Tower – which houses the bell named Big Ben – and normal Georgian townhouses that can be identified across the city.

“To us, the story of London is anchored in its historic architecture from the 18th, 19th and early 20th century,” mentioned Gokah.

“When functioning with these prints we looked at the city of London as a innovative process unfolding above time, rather than as a geographical spot.”

London Landmarks and Elevations posters by Studio Esinam

The Landmarks edition follows the identical theme, but juxtaposes the modern London Eye towards Marble Arch and Big Ben’s clock tower.

Sized 50 by 70 centimetres, the Landmarks poster comes as an edition of 1000. The more substantial Elevations print – measuring 65 by a hundred centimetres – has been created in the same amount.

The London posters can be purchased along with the other city versions from Studio Esinam’s web site.

Competition closes 2 April 2015. Five winners will be chosen at random and notified by email. Winners’ names will be published in a future edition of our Dezeen Mail newsletter and at the best of this web page. Dezeen competitions are worldwide and entries are accepted from readers in any nation.

Dezeen

The Cave Is A Rammed-earth And Stone Villa In A Mexico Wildlife Conservation Facility

Monterrey studio Greenfield utilized walls of rammed earth and rugged stone to frame the rooms of this villa for the staff of an animal breeding facility in Mexico’s Maderas del Carmen natural park .

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Named The Cave, the creating is situated in Los Pilares, a 5,000-hectare conservation facility in the foothills of the Sierra Madre Oriental mountains, the place researchers are expanding herds of native animals such as the bighorn sheep.


Connected story: Desert Courtyard Property by Wendell Burnette features rammed earth walls


The villa is used by the researchers as a space for calming and socialising, so there are no bedrooms. The major spaces are large residing and dining areas with generous views out in excess of the scenic mountain landscape.

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Greenfield founder Kenji López Rivera based his design about a desire to use all-natural and recycled supplies that could be sourced locally and would come to feel appropriate for the rural setting.

The Cave, Mexico by Greenfield

“Like in vernacular architecture, the constructing responds straight to the internet site exactly where it is positioned, with basic and even primitive volumes that rise with resources from the region, gaining colour and texture appropriate from the landscape,” he explained.

The Cave, Mexico by Greenfield

Massive stones were used to generate chunky walls all around the southern and eastern sides of the building’s L-shaped plan. Elsewhere, rammed earth – a development materials created by compressing damp soil – forms walls of wavy layers that sit over a stone base.

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The building’s structural framework was developed making use of wood and concrete, while corrugated metal and hardwood sourced from abandoned nearby railway tracks were also utilised.

The Cave, Mexico by Greenfield

“Since of the nature and isolation of the area, it was critical to use and reuse the sources of the location,” said López Rivera. “The constructive program combines river rocks, pine wood, rammed earth and concrete, which are factors rich in textures that mimic the multicoloured landscape that can be perceived for the duration of sunset.”

The Cave, Mexico by Greenfield

“The feeling whilst going to the task resembles that of a cave, partially buried into the ground, delivering a shelter from the exterior and permitting the consumer enjoy it from the warming interior,” he added.

The Cave, Mexico by Greenfield

The villa centres around a communal residing region that is raised up higher than most of the other rooms. Concrete actions lead down from right here to a big dining room with ample space for a group to dine together.

The Cave, Mexico by Greenfield

Both of these spaces characteristic walls of glazing that open out to terraces, offering occupants a lot of options to search out in direction of the mountains and observe the regional wildlife.

The Cave, Mexico by Greenfield

A small kitchen and barbecue location sit alongside one one more at the south-west corner of the building. The bathroom occupies a triangular space on the opposite side of the corridor, even though a winding passageway leads down to an underground wine cellar.

Photography is by Adrián Llaguno.


Task credits: 

Architecture: Greenfield – Kenji López Rivera
Collaborators: Melisa Avila, Esmeralda Salinas, Antonio Flores, Juan Tellez, Julia Briones, Dolores Maximino, Manuel Cruz

The Cave, Mexico by GreenfieldFloor prepare The Cave, Mexico by GreenfieldSection a single The Cave, Mexico by GreenfieldArea two The Cave, Mexico by GreenfieldSection 3 The Cave, Mexico by GreenfieldSection four Dezeen

Positive Green


These who know me know that I have not met a green that I haven’t liked. I enjoy, love, adore green. My new bedroom at #NookCottage is green, very green. (see above unsettled scouting photo by Michael J Lee). And I adore it.

And here is my final condominium kitchen, shot by Michael J Lee for Country Girl magazine.&nbsp


It appears that everybody, and I do mean every person, across the nation has been dealing with horrible winter climate – none a lot more so that these of us in New England. You can see above just how much has piled up (and yes, I received a new vehicle in December). It truly is been non-cease shoveling and ice dams all about. &nbspNeedless to say, we’re waiting for Spring with wonderful anticipation.

It is been snowing all day these days and I guess we have gotten an extra five” or so. Seems like so tiny now as compared to the 100+ inches we have gotten in the last 5 weeks. I preserve a Pinterest board of inspiration green spaces and made the decision I necessary a bit of a shade pick me up and thought some of you could use it also!&nbsp
Enjoy and consider Spring!&nbsp


This 1 above just kills me. The open window, flowers – saturated greens. Yum. Design and style by Jack Phillips, photos by Robert Brantley, in Conventional Property.


Toile on toile – adore it. Excellent for a guest space. Layout by Tucker &amp Marks, photograph by Matthew Millman


The inimitable Billy Baldwin.


Can not you just think about Jane Austen – or possibly Elizabeth Bennet Darcy – tucked in for an afternoon go through in this little area? Design and style by Robert Couturier.


Not certain of the designer or photographer , but so pretty!

&nbsp &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp &nbsp &nbspThe duchess’s bedroom at Chateaux de La Celle des Bordes. (image: The World of Interiors, Apr 2003)

Thibault fabric and wallpaper are showcased in this pale green room.


An additional area I do not know the designer or photographer for. But classic!

Mermaid chic.&nbsp

And a last spring-time shot – hydrangea in Wedgwood.&nbsp

If you happen to be looking to develop the property of your dreams, get in touch with me to examine the possibilities!
::Surroundings::

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