This wooden summerhouse raised off the forest floor on three concrete beams was designed by architect Johan Sundberg for a patch of woodland by the Swedish coastline .
Swedish studio Johan Sundberg Arkitektur planned the summertime retreat for a couple with two youngsters in Beddingestrand, on Sweden’s southern coast.
Named Sommarhus Akenine, the cabin consists of a single timber and glass volume, perched on an embankment among sandy dunes and woodland.
3 concrete beams are employed to level the internet site and raise the wooden structure just above ground level. The beams protrude from either end of the extended volume, but are not visible from its two long sides, offering some protection from the danger of increasing tides.
“The terrace floor appears to hover slightly above the ground,” Johan Sundberg told Dezeen.
“I wanted the home to sit lightly on the ground, to feel elevated and transparent to the visitor arriving from the north.”
The single-storey developing is faced in smooth-planed Siberian larch and sits in the centre of a massive roughly hewn timber platform that creates a wrap-about terrace.
Larch is the predominant material both inside and outdoors, and is employed in a range of therapies that assist to subtly define decking from interior floor and cladding from roof.
“Using a variety of types and treatment options of wood is a way for the style to stay focused, straightforward and meaningful. In a summerhouse a certain quantity of reduction may well be soothing to the mind,” said Sundberg. “It is also very considerably in our Scandinavian architectural DNA.”
The flat roof overhangs the terrace to generate shelter from the components. Small spotlights are set into the overhang to light the area after dark.
At either finish of the terrace, wooden walls with big rectangular apertures provide additional weather screens, but also frame views of the surroundings.
Wide timber measures at the north side of the house bridge the gap between ground level and terrace.
Inside, two pairs of bedrooms sit at either finish of the cabin with an open-program living and dining region sandwiched in the middle. Windows afford views of the Baltic Sea to the south, and woodland views to the north.
“Its timber and glass frame lends it a distinctive form that at when melds with and sets it apart from the surrounding landscape,” said the architect. “From inside, there are breathtaking views of the surrounding expanses of sea and forest.”
The pale timber floors and white walls utilized all through the interior are contrasted by a brightly coloured, diamond-patterned wall and a black wood-burning stove in the living space.
Photography is by Peo Olsson.
Project credits:
Architect in charge: Johan Sundberg Project architects: Daniel Gerse, Max Germundsson Structural engineer: Anders Sandgren, Rambˆll Construction: SAWI Byggnads AB in Trelleborg, Bengt Hansson Interior carpenters: Malmˆ kˆk & inredning, Andreas
Website program – Floor strategy Section 1 – Section two – Dezeen
News: sportswear brand Nike is reissuing its iconic Zvezdochka trainers made by Marc Newson, ten years right after the shoes had been very first launched (+ interview + slideshow).
The shoes, which Newson described as “revolutionary” in an exclusive interview with Dezeen, had been developed with astronauts in mind and named soon after a dog sent into space by Russia aboard Sputnik 10 in 1961.
“I thought it would be truly intriguing to design a piece of footwear for astronauts or cosmonauts simply because, in a zero-gravity atmosphere, there was nothing truly particular that existed,” Newson told Dezeen.
The sneakers consist of 4 interchangeable components: an injection-moulded outer cage perforated with holes, an interlocking outsole, an inner sleeve and an insole. Newson claims they have been a single of the first products of footwear to be designed as an industrially manufactured solution rather than a garment made by sewing pieces of fabric with each other.
Dezeen Book of Interviews: Marc Newson attributes in our new book, which is on sale now
“It was a genuinely revolutionary notion,” mentioned Newson. “In terms of the notion of generating a shoe in a mould – like a a single-shot, one particular-piece outer – that was quite new as a notion.”
Newson was approached to design the footwear by Nike president and CEO Mark Parker, who himself has a background as a footwear designer.
“It is not frequently when you interact with the head of a business the size of Nike,” mentioned Newson. “And he occurs to be a especially creative individual who respects other creative men and women.”
“For the Zvezdochka, we knew we had broken new ground: a shoe with 4 interchangeable parts,” stated Parker. “It was such a simplified procedure and led to new exploration in how merchandise are created and the potential for customisation. It is a great example of how a functional innovation helps drive a fully new aesthetic.”
Zvezdochka was initially launched in 2004 as a limited edition in five colours. A additional edition was issued in 2010. Nike is now reissuing the shoes in the original 5 colours via selected NikeLab stores and nike.com/nikelab from December 29.
Under is the interview with Marc Newson:
Marcus Fairs: Inform us how the project came about. Did Mark Parker method you personally?
Marc Newson: Yes, extremely early on. I mean we’re talking 2000 perhaps, anything like that. A very long time ago. Mark approached me with a view to collaborating on some level. Clearly the probability of working collectively on a sort of sneaker concept was pretty higher, so that’s where we ended up.
In reality, when we began, we looked at a range of diverse factors: we looked at sunglasses, we looked at bags and some other types of footwear as properly. But the idea that we went with in the end was the one that you see now.
Marcus Fairs: What’s the concept behind the shoes?
Marc Newson: At that time I had been traveling to Russia really a lot. I’d been already three instances to a place called Baikonur, which is exactly where all of the Russian space launches occur. And the International Space Station had just began – various bits of it had just started becoming launched.
So I thought it would be genuinely exciting to design a piece of footwear for astronauts or cosmonauts because, in a zero-gravity atmosphere, there was nothing genuinely distinct that existed. My logic was that there’s probably no far better location in terms of the necessity to workout than in a zero-G environment.
Marcus Fairs: So there was no particular footwear for cosmonauts? What did they put on on their feet?
Marc Newson: Well when you’re just sort of floating about [in a space station] you wear socks, and when you get onto the treadmill to exercising you wear trainers, simply because you are operating. But I believed the thought of designing something that can carry out both functions would be truly exciting. Due to the fact, you know, sneakers don’t have to execute in that environment the same way that they do when they are on Earth – for a whole range of motives. But the ergonomy performs in a completely different way. Your foot doesn’t want to be supported in the same way.
So that’s how the idea came about. I knew astronauts and I knew cosmonauts and had truly began doing some perform with the Russian space agency on a fully unrelated project. So I’d gotten really a lot of info about the zero-G environment. And that’s exactly where the name came from as well. Zvezdochka is certainly a Russian word, but it really is the name of one of the the Russian dogs that went into space [completing a single orbit of Earth in March 1961].
It was an ambitious thought – not least for political reasons
Marcus Fairs: What was Mark’s reaction when you proposed trainers for astronauts?
Marc Newson: He thought the notion was really fascinating. It was certainly an ambitious idea – not least for political reasons. I imply NASA do not endorse brands or goods, but the Russian Federal Space Agency does. So that was constantly going to be politically challenging.
Even so, it led to this idea of a convertible shoe exactly where you have sort of like a bootie which transforms into a fully functional shoe by covering it with a type of sock. It was a slip-on piece. In a way, the complete item was convertible. You could pull the innersole out and almost everything is held with each other by friction fit. So there’s little glue.
And that led to a whole other region of investigation about moulding footwear as opposed to fabricating footwear. Which, you know, back in 2005 was a quite original concept. And I feel it was one of the extremely initial footwear Nike created that was produced in a mould. It was completely injection-moulded. So there was definitely no fabrication whatsoever.
Marcus Fairs: So that was fairly revolutionary for the time?
Marc Newson: You know, it was a genuinely revolutionary thought.
Marcus Fairs: At that time were there already other trainers on the industry that had a separate sock and outer shoe? Was that already taking place?
Marc Newson: Not to my expertise. I surely wasn’t aware of anything that functioned in that way – where a sort of bootie transformed into a totally functional shoe. There was certainly absolutely nothing by Nike or by any of their competitors. In terms of the idea of making a shoe in a mould – like a a single-shot, one particular-piece outer – that was fairly new as a concept.
Marcus Fairs: The footwear were released as a quite restricted edition ten years ago. Why were only a quite small quantity developed, rather than putting it out as a worldwide solution?
Marc Newson: I am not sure to be truthful. That’s more of a advertising query that you’d probably have to pose to Nike. I mean, there was surely some technical troubles because this had never been carried out.
The moulds involved were really, really complex to manufacture. Undoubtedly at the time I was conscious of some limitations primarily based on the production technology and the truth that it was just very new and no a single truly could get their head about how it could be. Despite the fact that it perfectly lent itself to industrial production, it was not really typical. And doing all of the sizings and things like that. It was really out there.
Marcus Fairs: It really is now the tenth anniversary of the shoe. How is that going to be celebrated?
Willem Suyderhoud, Nike corporate communications: The idea is to celebrate the ten-year anniversary by bringing back the shoe in the original five colours. It is the exact identical shoe reissued and it will come back re-released on December 29th. We will release them by way of NikeLab.
It’s 1 of these sorts of partnership with a client that you’d like to have
Marcus Fairs: So back to you, Marc. But what’s it like working with Mark Parker?
Marc Newson: Properly I feel the scenario was uncommon and remains extremely uncommon simply because with Mark, just the straightforward fact that you speak about him and you refer to him as an person says it all actually. It’s not typically when you interact with the head of a organization the size of Nike. And he takes place to be a specifically creative individual who respects other creative people. So in many ways it’s like working with a pal. It’s like functioning with an individual you have to get on properly with that shares related interests and of course you uncover your self talking about issues that you have in typical.
It is really, really easy to collaborate on that level, rather than becoming provided a strict short. It really is a quite organic way of operating and our partnership over the last decade has remained very organic. We stay close friends. We’re often happy to see every other and talk. Not necessarily about sneakers or Nike, but just about… stuff. Cool stuff.
Marcus Fairs: Have you discussed any other collaborations with Nike?
Marc Newson: Yeah, we have over the years. I imply we haven’t gotten it together but, but we’ve been speaking about different factors over the years, and it’d be excellent to be in a position to do anything. I think the feeling is probably mutual. It remains an fascinating possibility. The brilliant factor about Nike and functioning with Mark is that it is always very relaxed. There’s never ever any stress and there is never any urgency – I mean, clearly, there is urgency when something’s place into motion, but, y’know, if it feels proper it tends to come about and if it doesn’t then it really is no big deal.
And I make it sound extremely lackadaisical, but it’s 1 of those sorts of connection with a client that you’d like to have, rather than the standard predicament exactly where you’ll be given a short, operate for a client, do the project, finish the project, and then the connection normally tends to end right after the thing’s carried out.
Marcus Fairs: Ten years ago the sports footwear market was fairly various from now. Back then Zvezdochka was fairly radical, but what is your opinion on how the sector has changed?
Marc Newson: It’s extraordinary how it really is evolved more than that period of time. I imply, it was usually going to take place. One of the interesting things about Zvezdochka is that I approached it as a piece of industrial style. Not as a garment. Garments are fabricated but products in industrial style are produced using truly industrial processes – injection moulding and things like that.
And I believe 1 of the massive modifications is that now you’ll find merchandise are much a lot more industrially created. And I do not mean industrial in terms of quantities. They are utilizing far a lot more intelligent industrially oriented processes in terms of moulding, in terms of components – things that are just far far more technological. It really is not just a case of sewing items collectively any a lot more. There is truly, actually interesting and innovative technologies becoming utilized.
Marcus Fairs: Have you been involved in any other footwear projects because then?
Marc Newson: Nope. I can safely say! (Laughs) I’ve usually preserved a relationship with Nike, so if it’s even going to happen once again I believe it is going to take place with them. I’ve never felt the need to have to go elsewhere and do something with anybody else. I imply I can’t think about a much better individual to do it with than Nike, so I do not consider there’s any point.
It’s a far a lot more hard atmosphere in which to be original
Marcus Fairs: If you have been invited by Nike now to do one more shoe, what would be the technology that may well feed into that? What is the cutting edge of footwear potential now?
Marc Newson: I believe it really is a far far more complicated atmosphere now for the reasons we’ve elaborated on. I mean, some of the factors that are happening, for instance with 3-dimensional weaving, exemplified by the Flyknit that Nike is undertaking. There is some really staggering, exciting factors that are happening. It is a far a lot more challenging environment in which to be original.
I feel the folks that are now functioning in that business – the individuals at Nike – are truly pushing the boundaries. So it would be farcical for someone like me to come along and… Individuals now are solving problems in that market in a far much more sophisticated way, as is born out by some of the outstanding issues in the marketplace.
Marcus Fairs: You mentioned that these were made with astronauts in mind, or even for astronauts. Have they been tested in space?
Marc Newson: No. The political climate of the time was so toxic – for want of a much better word – it was quite, really tough. It would have been challenging for anybody to get these into space. So that was truly, if you excuse the pun, the point of departure. It was a starting point, and it spawned a lot of other exciting tips. And so the entire space reference became incidental towards the end of the project.
Marcus Fairs: How do they shape up as Earth-bound footwear? Have you tested them yourself?
Marc Newson: I could liken them to wearing those sneakers that pretty considerably hug the sole of your foot but have sort of independent toes. There’s this whole sort of genre of sneakers that are like wearing a second skin on your foot, for running on the beach and environments like that. It really is a bit like wearing a really robust pair of socks which, at the time, was really a wacky notion.
Marcus Fairs: They become really iconic really rapidly, and I suppose the fact that they are getting reissued ten years later is testament to that. What is your feeling hunting back on that project?
Marc Newson: Properly, it really is exciting. It is often curious to look back at items ten years later. Ten years is usually a genuinely worthwhile window of time to appear back at a project. And it really is usually after ten years that you can assess whether or not or not it really is carried out what it has set out to do, or in reality no matter whether it ended up carrying out items you by no means imagined it would do, or regardless of whether it really is done nothing at all.
That particular shoe has spawned a lot of other interesting ideas
In a lot of ways I believe the iconic nature of that piece has turn into evident in a way that I almost certainly did not anticipate at the time. Of course in some ways it is turn out to be dated, but in other ways it feels relevant since, as I was saying just before, of the whole philosophy of the way it was developed as a piece of industrial style. It is how I would develop an appliance rather than a garment.
You know, I am not that seasoned with fabricating issues out of pieces of two-dimensional material, but I feel that in numerous approaches that certain shoe, without which means to sound self-congratulatory, has spawned a lot of other interesting ideas out there. You know I keep seeing items even now that appear in some approaches inspired by that. Who knows whether they had been or not. But just the shape – you know, the holes and the alvioli style, with lots of holes… in some ways they are still very relevant.
Marcus Fairs: And they are nonetheless trading on eBay I noticed.
Marc Newson: Yeah, which is intriguing, isn’t it? Yeah. Crazy. I’m going to start off wearing them once more, yeah. I mean, I feel the simplest way of answering that query is that I won’t be embarrassed to put a pair on. And ten years on my daughter will be capable to wear some, so that’ll be exciting!
Movie: architect Rossana Hu explains why she and her partner Lyndon Neri turned the theme of “feeling good in architecture” on its head in their keynote speech at this year’s Inside Festival.
Rossana Hu of Neri&Hu
“This year we have been offered the topic of feeling great in architecture and interior style,” says Hu in the film, which was filmed at Inside Festival 2014 exactly where Hu was a keynote speaker and judge.
“I feel we were a lot more interested in questioning whether it is viable or relevant to feel great.”
The WaterHouse at South Bund by Neri&Hu
Hu says that significantly of Neri&Hu’s work “is not about coming to a fairly space and feeling great.”
Rather, she says, “it is about coming to a space exactly where, through discovering diverse items you may possibly feel bad. But I think feeling bad has greater worth or is a lot more meaningful than feeling excellent.”
Hu provides the instance of the firm’s The Waterhouse at South Bund boutique hotel, which was named Planet Interior of the Year at the inaugural Inside Awards in 2011.
Dezeen Book of Interviews: Neri&Hu attributes in our new book, which is on sale now
The redevelopment of a former Japanese army barracks in Shanghai, the hotel attributes a lot of the original building’s exposed concrete and brickwork.
“When you stroll into the lobby most men and women are surprised by the roughness and the rawness of that space,” Hu says. “In truth, when I brought my mother there she could not cease laughing since she believed it was nonetheless a building website.”
She continues: “So that does not necessarily make men and women feel excellent, but I believe it tends to make folks query exactly where am I? What am I hunting at? What is the history of this developing? For us that is exactly where design and style creates worth.”
Hu compares this aspect of her studio’s work with the artist Louise Bourgeois.
Related story: “Architects in China are lost” – Neri&Hu
“She talked about her perform getting disturbing and she wanted to give that mental challenge to people,” Hu explains. “It is not so much about appreciating. It is about disturbing the traditions and accepted values of society and we are also difficult individuals with some of our function.”
Red Room (Parents) by Louise Bourgeois
Inside Festival took location at Marina Bay Sands in Singapore from 1 to three October. Award entries for subsequent year’s festival are open from February 2015.
We published interviews with all the category winners from this year’s event. You can watch the motion pictures below.
News: Japanese designer Tokujin Yoshioka has produced a see-by way of case for the latest Firefox smartphone from telecommunications organization KDDI.
The Fx0 by Tokujin Yoshioka is made to show off the inner components of the au phone by KDDI, such as the battery, sim card, electronic circuits and screws.
Connected story:Tokujin Yoshioka launches mobile telephone
“In order to express the openness which is the most distinctive feature of Firefox OS, Tokujin captured the beauty of mechanicals inside and incorporated them to the design and style,” said a statement from the designer’s studio.
Mechanical components within the case give a metallic appearance to the design, which is textured across the back to increase grip.
The phone characteristics 4G capabilities – one particular of the very first for a Firefox operating technique (OS) device – and a quad-core processor created by Qualcomm.
A huge touch screen covers the majority of the phone’s front, whilst a camera is mounted inside a black disk on the back, with the flash positioned just below.
Firefox’s logo is on the circular “property” button “to recognize the originality by means of the front design of the physique”.
“This will be a model that symbolises a new stage for Firefox OS smartphone,” mentioned Yoshioka, who also designed an additional transparent telephone for KDDI named X-RAY in 2010 and launched his Media Skin mobile phone with the brand in 2007.
Other smartphones that launched this year incorporate the eagerly anticipated iPhone six, which came under criticism from customers who claimed that the style bent in their pockets.
Davide Anzalone, designer italien ,nous présente Cinto, son projet de canapé, sofa décontracté. Une structure easy de contreplaqué venant entourer un banc de détente, une véritable île flottante autour de laquelle vous viendrez disposer une multitude de coussins dessinant votre espace de repos.
« The structure of the sofa favors a playful and unconventional use, being able to pick distinct colors for the cushions and arrange them as you like. The shape of the sofa with its cushions reminds the image of a fence, a soft enclosure where you can relax possessing every thing at your fingertips. The name « Re Cinto » is a play on words that literally signifies King Cinto in italian, but also « recinto » is the italian translation of fence.« 
On peut alors se poser la query du pourquoi retirer ces coussins ? Peut-être pour se prélasser au sol, ou configurer l&rsquoespace différemment afin d&rsquoaccueillir vos amis.
En savoir plus sur le designer : Davide Anzalone
By Weblog Esprit Design
The post Cinto le sofa modulable par Davide Anzalone
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Rossana Hu of Neri&Hu
The WaterHouse at South Bund by Neri&Hu
Red Room (Parents) by Louise Bourgeois
