Music: the bulk of the footage employed in this super-slow-motion music video for French pop singer Siska was shot in only 5 seconds.
Director Guillaume Panariello’s video for Unconditional Rebel is a super-slow movement film based about what appears to be a single tracking shot.
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The footage taken from a passing auto was stretched out to three and a half minutes for the final edit.
“It’s a sort of living mural realised with 80 characters who are all synchronized with the movement of the camera,” Panariello informed Dezeen.
The clip displays a cast of fantastical figures in surreal circumstances, like a group of men and women beating each and every other with books and a girl in a wedding dress wielding a chainsaw.
The characters are all positioned along an 80-metre stretch of land in front of an industrial complex.
To make the video, Panariello and crew drove previous the actors at roughly 30 miles per hour and filmed at an really quickly rate of 1,000 frames per second.
When played back at a standard pace, the footage created a really slow-moving movie that captured the backdrop and cast in a fluid, in depth way.
Before shooting, Panariello consulted with unique results producer Benoît Maffone to make a comprehensive 3D model that enabled the director to strategy and choreograph the complete film.
“Right after a good deal of math we established the pace of the camera motion and the dimension of the scene,” Panariello explained.
After determining to shoot beside an industrial complicated in southern France, Panariello filmed 4 distinct run-throughs of the scene – each and every 1 lasting only a few seconds.
“I had a type of map divided in many zones that correspond to the distinct music movements,” mentioned the director. “For the shoot we recreated the positioning of the zones. We were nicely prepared.”
Although seemingly one particular uninterrupted shot, the video is truly composed of two takes. This was required due to the camera’s restrictions while filming so numerous frames every single second. Panariello was reluctant to describe in which the lower is.
Subsequent to filming the major segment, the director and his crew then captured further materials using a chroma important process. This entails filming a topic against a vivid green or blue background and then, by way of special techniques, substituting this backdrop for one more in the last footage.
Features such as the falling clocks, flying books and the first appearances of vocalist Siska have been developed for the duration of this portion of the film’s growth.
These visuals have been augmented and accompanied by added submit-manufacturing results this kind of as the disintegration of the guy pointing a gun.
Towards the end of the movie, the camera appears to spin upside down, briefly inverting the picture. This was also achieved via publish-manufacturing results.
In complete, all around 110 people had been concerned in creating the video. In addition to the 80 extras, roughly 30 individuals constituted the crew and submit-production teams.
“To my thoughts the most crucial issue is the best stability among the sound and the image,” Panariello informed Dezeen. “No matter the strategy or notion, the point is to generate sensations.”
Unconditional Rebel is taken from Siska’s self-titled debut EP.
Task credits:
Written and directed by Guillaume Panariello
Cinematography by Thomas Rames
Visual results by Benoît Maffone (La Planète Rouge)
Made by VLB Recordings and La Planète Rouge
