Architecture For Humanity Co-founders “deeply Saddened” As Charity’s Head Office Closes

Architecture for Humanity co-founders Kate Stohr and Cameron Sinclair

News: charitable organisation Architecture for Humanity has closed its San Francisco headquarters and laid off its employees soon after apparently becoming unable to continue funding humanitarian projects.

Co-founders Cameron Sinclair and Kate Stohr, who ran the organisation from 1999 to 2013, responded to the “sad news” in an email yesterday.

“We just heard the news that Architecture for Humanity, the organisation we began a lot more than 15 years ago, has pivoted its mission and is organizing to close,” wrote the duo, who are pictured above. “We are deeply saddened by this.”

Operating below the slogan “Design like you give a damn,” AFH raised money to fund architectural solutions to humanitarian crises around the planet, raising over \$5 million (£3.three million) in funding every year.

But the organisation’s headquarters close to Union Square had been shut down and all employees laid off without announcement on 1 January, according to the San Francisco Chronicle.

AFH has yet to issue a statement about the reasons behind the move, but board member Clark Manus of San Francisco firm Heller Manus Architects told the San Francisco Chronicle that the organisation ran out of money to fund its projects.

“The board tried extremely difficult to figure out how to correct the organization, and we had been out there searching for angels, but the income wasn’t there to help it,” stated Manus. “It really is not that the mission and require wasn’t clear, or that the employees wasn’t devoted.”


Related story: Architecture for Humanity founders step down


The non-profit organisation was founded in 1999 when Sinclair and Stohr organised a competition to style refugee shelters for Kosovans returning property after the war in their country, but stepped down from the organisation in 2013 to pursue other projects.

AFH, which has chapters in nations about the globe, regularly ran open style competitions for structures that would advantage vulnerable communities and disaster victims around the planet.

Current projects that function on AFH’s Facebook page, which has not been updated since 11 December, include a school in Peru and a neighborhood centre in Slovakia.

Other headline projects integrated fundraising for lengthy-term reconstruction in Haiti, following a devastating earthquake in 2010 and Japan, which suffered a equivalent disaster just over a year later.

Yodakandiya Community Complex, funded by Architecture for Humanity

It also helped to fund projects such as the Yodakandiya Neighborhood Complicated (above), which was constructed in Sri Lanka following the 2004 Indian Ocean tsunami and was shortlisted for the 2010 Aga Khan Award for Architecture.

“We ran the organisation and grew it from just a little circle of volunteers to an international organisation with chapters in 25 countries,” stated the co-founders. “For a lot more than ten years, collectively we led the movement to bring social design exactly where it is required most.

“We constructed award-winning buildings, ran revolutionary programs, personally raised far more than \$five million in annual funding, year in and year out, and established a lot more than 5 neighborhood style centres that set the normal for rebuilding soon after disaster.”

“We hope the profession will continue to design like a give damn – in whatever form that takes,” said Stohr and Sinclair. “And we urge the chapters to continue their much needed work”.

Dezeen

London’s Brutalist Landmarks Star In Omi Palone Music Video

Music: a selection of the UK capital’s most prominent Brutalist buildings are featured in the video for post-punk band Omi Palone’s track Architecture.

Omi Palone video by Simon Marsham

Footage of structures including Trellick Tower and Balfron Tower designed by Ernő Goldfinger, Alison and Peter Smithson’s Robin Hood Gardens, and Neave Brown’s Alexandra Road Estate is included in the high-contrast black-and-white film, interspersed with overall performance footage of the group.


Associated story: The Dezeen guide to Brutalist architecture


Omi Palone video by Simon Marsham

Other featured buildings include Camden Town Annexe and Southwyck Property – all examples of the Brutalist architectural style utilised predominantly for social housing and cultural improvement projects in the course of the mid-20th century. A quantity of the crucial buildings from this period recently featured in Dezeen’s series on Brutalism.

Omi Palone video by Simon Marsham

The video was directed by Omi Palone’s guitarist, Simon Marsham, and attributes cinematography and editing by Dezeen Studio contributor Emma Charles.

Omi Palone video by Simon Marsham

According to a statement from the band, the track “muses on the way in which some individuals struggle to cope with the political and social ideologies that exist inside the architecture of a metropolis”.

Omi Palone video by Simon Marsham

The notion of the video was “to try and portray something of the relationship amongst the aesthetic qualities of the buildings and actual ‘living spaces’,” Marsham told Dezeen.

Omi Palone video by Simon Marsham

“The internal shots of the band playing were filmed in the kitchen of a warehouse conversion a couple of the band members were living in at the time,” he explained.

“You have these external, really sympathetic and elegiac shots of the forms of the buildings themselves and also a real depiction of an actual living space of the band. So there is anything like a convergence in between theory and reality.”

Omi Palone video by Simon Marsham

All footage was captured over the course of one day with a tripod-mounted DSLR camera.

Omi Palone video by Simon Marsham

“Asides from obtaining periods when it wasn’t raining, it was quite simple. Simon had a list of locations he wanted to film, so beginning in the west, we worked our way across town. We just shot till it got dark,” Charles told Dezeen.

Omi Palone video by Simon Marsham

Huge drapes painted with acrylic feature as each abstract close-ups and a backdrop for the band during the efficiency sections of the video.

Omi Palone video by Simon Marsham

“We have been sort of going for an architectural really feel that echoed the video footage – silhouettes that represented buildings,” set designer Lucy Anstey explained.

Omi Palone video by Simon Marsham

Also featured in the video is blurred footage of a dreamachine – a revolving, cylinder with slits in its sides that omits light, causing optical effects when looked at by way of closed eyes.

“To me, the light impact it developed gave some thing of an otherwordly feel. Nonetheless, the structure of the dreamachine was a lot more fascinating,” said Marsham.

Omi Palone video by Simon Marsham

“It has an exact schematic that you’re supposed to adhere to, and, when assembled, it did resemble some of the tower blocks we’d filmed.”

Architecture is taken from Omi Palone’s self-titled debut album, released in April final year.


Project credits

Director: Simon Marsham
Director of Photography: Emma Charles
Efficiency footage: Owen Richards
Editor: Emma Charles
Set: Lucy Anstey

Dezeen

Franken Architekten Engraves Ghost Timbers Into Facade Of Frankfurt House

German studio Franken Architekten milled a pattern of squiggly lines into the outer surface of this home and studio in Frankfurt’s old town, replicating the outline of timbers from the creating it replaced.

Kleine Rittergasse 11 by Franken Architekten Photograph by Eibe Sînnecken

Franken Architekten was asked to oversee the renovation of a standard developing in the protected Sachsenhausen neighbourhood, but the discovery of dry rot in the current framework meant it became too costly and difficult to preserve.


Associated story: Historical movie pictures adorn the facade of National Film School in Dublin


Kleine Rittergasse 11 by Franken Architekten Photograph by Oliver Tamagnini

The client and architect agreed to demolish the old developing and create a replacement that would be proper to the architectural style of the location.

Kleine Rittergasse 11 by Franken Architekten Photograph by Eibe Sînnecken

The type of the original 3-storey structure was copied and then simplified by removing a set of ornamental overhanging eaves from the pitched roofs.

Kleine Rittergasse 11 by Franken Architekten Photograph by Eibe Sînnecken

To develop a further link between the property’s previous and present, the architects created a kind of decoration that final results in a ghost-like impression of a timber frame on the facade.

Kleine Rittergasse 11 by Franken Architekten Photograph by Oliver Tamagnini

The pattern, which the architects described as an “afterimage”, was primarily based on scanned drawings of the original constructing.

Kleine Rittergasse 11 by Franken Architekten Photograph by Oliver Tamagnini

Horizontal lines were carved into 144 plaster panels utilizing a pc-controlled router. When the lines reached a point where there was a post or beam in the scan they generated a random wobble, creating a relief pattern that is more prominent when viewed from a distance.

Kleine Rittergasse 11 by Franken Architekten Photograph by Martin Repplinger

Gaps between the panels were cautiously filled in to create an apparently seamless surface that enhances the subtle contrast of light and shadow in the pattern.

Kleine Rittergasse 11 by Franken Architekten Photograph by Martin Repplinger

“I locate that when I’m on site seeking at the creating from a distance the image types quite distinctly,” stated architect Bernhard Franken in a video developed by the studio, “and when I get nearer the entire issue slowly dissolves.”

Kleine Rittergasse 11 by Franken Architekten Photograph by Oliver Tamagnini

“The neat issue about it is that the entire impact is just caused by light and shadow,” Franken added. “There’s no line drawn there on the building, just a lot more depth which, due to light, contrasts differently and only becomes visible that way.”

Kleine Rittergasse 11 by Franken Architekten Photograph by Oliver Tamagnini

Stone cladding was applied to the ground floor, with the intention of making an additional visual connection with the neighbouring buildings.

Kleine Rittergasse 11 by Franken Architekten Photograph by Oliver Tamagnini

A photography studio, workplace and apartments are accommodated within the property, which aims to recapture the traditional notion of households living and operating in the exact same creating.

Kleine Rittergasse 11 by Franken Architekten Photograph by Oliver Tamagnini

The 3-portion structure, which also has modern details such as raised window surrounds and contrasting wooden door and window frames, wraps about the corner of a cobbled courtyard.

Stone lintels below the windows feature detailed pictographic engravings that complement the far more graphic pattern on the adjacent facade.


Project credits:

Organizing/Interior Design and style: Franken Architekten
Project-Team: Bernhard Franken, Frank Brammer, Robin Heather, Natascha Baier, Kai Heyd, Felix Schneider, Isabel Strelow
Client: Rothenberger 4xS GmbH
Object Tracking: precise.projektmanagement / exitecture architekten
Residence technology planning: Schüler Elektro – und Informationstechnik
Statics &amp Fire Protection / Creating Physics: Tichelmann &amp Barillas Ingenieure
Electrical function: BBK Elektroanlagen GmbH
Roof covering and roof sealing work/carpentry/plumbing performs: Weyershäuser GmbH Dachdeckermeisterbetrieb
Residence technologies: Köhler Haustechnik GmbH
Structural operate: Kuehnbau GmbH
Windows and external doors: OST Bau und Möbel Schreinerei GmbH
Facade/EIFS – interior plaster: Helmut Lindt GmbH
Natural stone operate: DK Steintechnik GmbH

Kleine Rittergasse 11 by Franken ArchitektenInternet site strategy – clcik for larger image Kleine Rittergasse 11 by Franken ArchitektenBasement floor plan Kleine Rittergasse 11 by Franken ArchitektenGround floor program Kleine Rittergasse 11 by Franken ArchitektenFirst floor program Kleine Rittergasse 11 by Franken ArchitektenSecond floor plan Kleine Rittergasse 11 by Franken ArchitektenThird floor plan Kleine Rittergasse 11 by Franken ArchitektenSection
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Glass Decoration – Stylish And Beautiful!

Do you want a nice house, with modern furnishings, great furniture, plenty of living space? So, who wants to actually not… But what is more important than the expensive, elegant furniture pieces and extravagant, super modern design, is simply not as difficult to achieve! We’re talking about the decorations in the House! You can achieve with so little so much! The decoration creates a charming and unique atmosphere the apartment, she’s the soul of the House.

Autumn decoration lantern Acorn

Today we have many nice idea for a particular type of decoration, and decoration is the glass. The decorative glass is a very popular type of decoration that numerous ways to the create! Because the glass is transparent, we can place a beautiful decorative elements, flowers, decorative stones, candles, and much else in it! Look at the photos yourself down so that you know exactly what we’re talking :)

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Room Decorating Ideas

Jasper Morrison Designs Kali Chair To Fund African Orphanage

This wooden chair by British designer Jasper Morrison was created for use in a Tanzanian orphanage and will be sold to fund the centre’s improvement.

Kali chair by Jasper Morrison for Offecct

Comissioned by Swedish furniture brand Offecct, the Kali chair comprises a straightforward laminated wooden seat on leading of a wooden frame and round lathed legs. and is available with or with no upholstery on the seat and back.


Connected story: December chair by Jasper Morrison and Wataru Kumano for Nikari


It was designed by Jasper Morrison for use in the initial of a series of buildings constructed at the foot of Mount Kilimanjaro in northern Tanzania.

Kali chair by Jasper Morrison for Offecct

The cluster will ultimately incorporate an orphanage, a college, offices, and residences for young children and aid workers in the area.

Kali chair by Jasper Morrison for Offecct

Morrison’s chair will also be sold internationally, with part of the income going straight to non-government organisation ECONEF and place towards the continued improvement of the orphanage.

Kali chair by Jasper Morrison for Offecct

At the moment created in Sweden, the chair was developed utilizing tactics that make it attainable to bring production to northern Tanzania in the future – generating neighborhood work possibilities.

For this purpose, the sort of wood and upholstery used in its construction has been left open.

Kali chair by Jasper Morrison for Offecct

“Kali was designed with a somewhat low technical aspect to let the possibility of it being developed locally later on,” stated Jasper Morrison. “The character of the chair is slightly educational with out getting boring, I hope, and necessarily created to have a lengthy life.”

Kali chair by Jasper Morrison for Offecct

The project is component of Offecct’s ongoing collaboration with ECONEF and marks the very first time the brand has worked with Morrison, whose previous designs include the iconic Air Chair – a lightweight stackable seat made from one piece of injection-moulded polypropylene.

Kali chair by Jasper Morrison for Offecct

“We are quite pleased to be functioning with Jasper Morrison. He understands the significance of this project,” said Offecct CEO Kurt Tingdal.

Kali chair by Jasper Morrison for Offecct

“We have supported ECONEF given that 2013 and by producing this chair we can contribute one thing that is physical, some thing that can be used straight away, besides providing monetary assistance.”

Kali chair by Jasper Morrison for Offecct

Based in both Sweden and Tanzania, ECONEF’s African branch is run by orphanage owner Caroline Nicholas.

Kali chair by Jasper Morrison for Offecct

Situated in Jua Kali, outside the city of Arusha, the organisation aims to increase the common of living for orphans in the region.

ECONEF orphanage in Jua Kali. Photograph by Petter AbrahamsenECONEF orphanage in Jua Kali. Photograph by Petter Abrahamsen

The Kali chair will be presented at the Stockholm Furniture Fair from 3 to 7 February.

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Latest Ideas!