Chinese companies Atelier Alter and Hordor Design Group have finished a main new museum of all-natural background in China, featuring a roof described by the architects as a “vertical landscape of concrete” .
Positioned in China’s Yunnan Province, the Qujing Background Museum will residence an expansive assortment of historical artefacts.
These include the 419-million-year previous Entelognathus primordialis, which is the world’s oldest fish fossil, and the Longyan tablet, the very first acknowledged object in the historical past of calligraphy.
Atelier Alter, which drew up the original patterns, envisioned a building as a landscape itself – drawing parallels with the objects on display inside it.
“The archaeological relics are both metaphor and subject matter of the project,” explained the studio.
“Rather of assimilating into analogies of the website — terrace discipline, fossil grain, or calligraphic strokes — the formal expression of the architecture is in dialogue among the concrete and the abstract, the familiar and the unfamiliar.”
The museum’s most prominent feature is its enormous cantilevered roof, which projects out to shelter a plaza at the main entrance. It has a staggered edge, and extends additional on one particular side than the other – making it search like an upside-down staircase.
The type of the roof is subtly mirrored by the landscape beneath it, which steps up to type a raised plateau with an elevated view of the surrounding landscape.
“The graduated suspension of the massive roof presents an ‘anti-gravity’ architecture statement that puts audiences in awe,” said Atelier Alter. “The sturdy presence of the void reinstates the gravitas of the museum’s subject matter – a profound background that dates back in excess of 4,000 million years.”
“A vertical landscape produced of concrete drapes down from roof to the ground,” Atelier Alter added. “As audiences penetrate the landscape and reach to the exhibition zone, geography and humanity converge at that very minute.”
Concrete panels provide the cladding for the walls, while metal panels cover the underside of the roof canopy and grey paving slabs kind the surface of the plaza. In this way, the creating maintains a uniform tone.
Guests arrive onto the very first floor of the six-degree constructing, with three storeys above and two below. From here, they are free to roam through different exhibition galleries. Highlights contain a bronze room and a room of folk culture.
A garden courtyard is positioned in the centre of the strategy. Offices, meeting rooms and workshops are housed inside of a wing on the west side of the building, and a large auditorium occupies a space on the ground floor.
Other lately completed museums in China incorporate an artwork museum with a ribbon-like facade close to Yinchuan and a Steven Holl-developed cultural centre in a forest near Nanjing.
Photography is courtesy of Atelier Alter.
Venture credits:
Relevant story: Undulating facade of Yinchuan art museum references the gradual shift of a Chinese river
Consumer: Qujing Culture and Sport Center Building Commission
Place: Qujing, Yunnan, China
Architect: Hordor Architecture & Engineering Style Group, Atelier Alter
Principals in charge: Yan Huang
Style architect: Yingfan Zhang, Xiaojun Bu
Project architect: Qiuda Lin, Weining Lin
Architecture design and style staff: Zhanghan Zheng, Zhenqing Que, Ling Zeng, Jeff Ding
Structure: Masha Yang, Yingying Lin
MEP engineer: Guangyu Zhang, Xiaonan Zhu, Xiaoan Han
General contractor: Fourth Building of Yunnan Architectural Engineering Group
Basement floor plan 
Ground floor plan 
Initial floor strategy 
2nd floor plan 
Third floor prepare 
Fourth floor prepare 
Roof program 
Segment 1 
Part two 
Area 3 Dezeen
