This museum by architects Sergei Tchoban and Agniya Sterligova includes a single room within a silo-like construction in a Russian potato area .
Developed by Russian architects Tchoban and Sterligova to honour to the region’s agricultural background, the Museum of Rural Labor is built from compacted clay and straw – a standard building method in rural Russia.
The developing sits amid crop furrows in a potato discipline near Zvizzhi, a village located close to 120 miles south-west of Moscow. It was developed as part of Archstojanie, an yearly land-art festival hosted in Nicola Lenivets, a nearby artist neighborhood founded by Nikolay Polissky.
Polissky just lately covered a dilapidated constructing in the village in timber offcuts to develop a stroll-through sculpture for the occasion.
Tchoban and Sterligova’s cylindrical structure is topped by a 1-metre-thick square capital, which types its roof.
“Visually, this structure calls to mind all kinds of associations – from a banal water tower to the final surviving column of a no longer existent acropolis,” said Tchoban and Sterligova. “With its silhouette of a silo tower, the object is implemented artfully to the landscape of the village.”
“An outside observer would locate it fairly challenging to evaluate the structure’s correct scale,” they extra, “becoming clad with clay, the tower looks to merge with its earth base and with its surroundings in common you may well simply feel it has been here permanently.”
Although the outer walls of the eight-metre-tall museum are free of charge from ornament, the inner walls are embellished with agricultural equipment and artefacts collected from nearby villages and settlements that pay tribute to the area’s wealthy farming history.
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“Positioned in a spiral, these artefacts appear to be increasing into the sky, underlining the sacral significance of work on the land, function which has often been the basis for man’s wellbeing,” said the architects.
A wooden door at one side of the tower opens straight from the discipline into the single-room museum, which is just three.two metres broad and is lit by a circular skylight in the thick roof slab.
The yellow-tinged glass is meant to bath the interior in golden light, enhancing the earthy tones of the clay.
Sergei Tchoban is also the architect behind Russia’s pavilions for this year’s Globe Expo in Milan and for the Venice Architecture Biennale in 2012. The former characteristics a vast thirty-metre-extended mirrored cantilever internet hosting a roof backyard, whilst the latter had surfaces covered in QR codes that guests could use mobile phones and tablets to read.
Amid his permanent buildings are a hotel in Berlin that also functions a mirrored cantilever containing its upper storeys and a museum for architectural drawings, which has walls decorated with architectural motifs.
Task credits:
Client: Archstoyanie
Architects: Sergei Tchoban, Agniya Sterligova
Development: Martin Home
Rooflight: Velko-2000
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