G Studio Architects Creates Unfinished Aesthetic In Tokyo Loft Apartment

Japanese office G Studio extra swathes of white paint to the walls of this loft apartment in Tokyo, making it look like the room is unfinished .

Tokyo Loft by G Studio Architects

Named Tokyo Loft, the apartment occupies a single of the uppermost floors of a 1980s housing block and was created particularly to be used as quick-phrase accommodation for tourists.

Tokyo Loft by G Studio Architects

Rather than providing a polished hotel-like interior, G Studio chose to deliberately create a room that combines residence comforts with raw industrial finishes – in order to “achieve harmony” in between the two aesthetics.

Tokyo Loft by G Studio Architects

“Considering that this apartment is to be utilised for accommodation functions, we took the special character of the apartment and added a hotel-like environment,” stated designer Ryohei Tanaka.


Associated story: NAAD lines a century-outdated Japanese property with unfinished plywood


The raw concrete walls and ceilings have been up to date using a painting approach intended to generate the effect of Japanese Washi paper. It concerned spray painting A4 sized sheets of resin against the surfaces, then getting rid of them to reveal a spiral-like texture.

Tokyo Loft by G Studio Architects

“This mixes the outdated wall with the new wall,” the designer told Dezeen. “Just renewal is uninteresting. Some thing previous is not just previous, and it is much better than just new.”

The area is organised close to a huge living space that opens out to a balcony terrace. A bedroom, bathroom and kitchen are arranged all around the outside, along with an entrance spot.

Tokyo Loft by G Studio Architects

On one side of the apartment, a row of skylights were built into the sloping ceiling to offer views of the city. This makes it possible for lots of organic light into the open-prepare residing area, which characteristics a metal kitchen unit along a single edge.

Tokyo Loft by G Studio Architects

Wooden floorboards are used during the apartment, with vibrant orange electrical wires and plumbing characteristics left exposed to increase the industrial seem.

Tokyo Loft by G Studio Architects

To make the space more welcoming to visitors, common hotel attributes including a freestanding bathtub and a bar location had been also additional.

Tokyo Loft by G Studio Architects

Tanaka believes this type of accommodation enables travelers to be “exposed to the real culture” of Tokyo.

“Due to web sites like Airbnb, there has been an boost in popularity with these sorts of brief-term apartment rentals,” the designer added. “These are buyers who are dissatisfied with traditional hotels and would like the comfort of a property whilst travelling.”

Tokyo Loft by G Studio Architects

The task is expected to grow to be a template for rejuvenating the city’s disused “pencil buildings” – which were created throughout Japan’s economic development in the 1980s and earned their nickname since they sit on plots of land disproportionate to their height.

Strategies are in place to increase these types of apartments in Tokyo with this apartment becoming the first check model for long term projects,” extra the designer.

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Soap Bubbles Traverse Colourful Landscapes In A Love Like Pi’s Music Video

Music: photographer Kim Pimmel employed soap, water and food dyes to create the multicoloured visuals in this music video for A Adore Like Pi’s single Jack and the Giant (+ film).

Jack and the Giant by A Love Like Pi music video

Pimmel’s video for A Really like Like Pi, which follows a soap bubble as it travels by way of a assortment of diverse brightly-coloured swirling liquids, was inspired by the lyrics “brave small adventurer” from the song’s opening verse.

Jack and the Giant by A Love Like Pi music video

“The lyrics appear to recommend a vulnerable protagonist,” Pimmel informed Dezeen. “What much better vulnerable object than a fragile bubble that may well pop at any moment?”

Jack and the Giant by A Love Like Pi music video

Pimmel produced the bubbles by mixing soap and water collectively, and applying the answer to a glass screen with a syringe.


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He then extra diverse food dyes and paints to the screen, and manipulated the liquids to make the bubbles slide by way of them as the different colors combined.

Jack and the Giant by A Love Like Pi music video

“The liquids and bubbles had been manipulated with a bunch of diverse approaches,” Pimmel stated. “The major ones included tilting the glass to get the liquids to movement, utilizing a sponge to draw liquids in a specific direction, and pipetting liquids into the scene.”

Jack and the Giant by A Love Like Pi music video

Pimmel lit the glass from underneath and used a macro lens to shoot the scenes, which have been tiny.

“The bubbles themselves are really little, from less than a millimetre up to half a centimetre,” he explained. “Most of the shots in the video are about the dimension of a credit card in genuine life.”

Jack and the Giant by A Love Like Pi music video

In the 2nd half of the video the brightly-coloured dyes are interrupted by a thick black magnetic liquid referred to as ferrofluid, which Pimmel manipulated by moving magnets next to the glass.

Jack and the Giant by A Love Like Pi music video

“In the initial component of the video, I wanted to introduce the globe of wonder with rich interesting colors and textures,” Pimmel mentioned. “The second part is foreboding, so it felt right to have a shift here to introduce a dark second for the principal character.”

Jack and the Giant by A Love Like Pi music video

Nonetheless, the colourful liquids soon return to make sure the video ends on an uplifting note.

“The last segment is about celebrating a triumph over struggle,” Pimmel explained. “[It really is] virtually like the finale of a fireworks present.”

Jack and the Giant by A Love Like Pi music video

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Carl Hansen & Søn Delves Into Its Archives For Colonial Furniture Collection

Danish design brand Carl Hansen & Søn has put Ole Wanscher’s 1964 Colonial Sofa back into production to complement the designer’s popular Colonial Chair.

Colonial Collection from Carl Hansen & Son Ole Wanscher’s Colonial Chair

Danish Modernist designer Ole Wanscher is best known for his 1949 Colonial Chair, however he also designed a similar two-seat sofa in 1964, which was only ever produced in small volumes.

Colonial Collection from Carl Hansen & Son

Carl Hansen & Søn is now relaunching the sofa and a matching coffee table to complete the Colonial collection.

Colonial Collection from Carl Hansen & Son

The sofa reflects the same core design as the armchair, with a slender roundwood timber frame consisting of a simple lattice construction. Its elements support one another, with double legs at the centre providing structural support.

Colonial Collection from Carl Hansen & Son

Wanscher’s signature curved armrests, a hand-woven cotton webbing seat, and upholstery available in leather or fabric complete the design.


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Colonial Collection from Carl Hansen & Son

The table comprises a square wooden tabletop on a simple wooden frame. Both designs reflect Wanscher’s fascination with the furniture style of 18th-century England.

Colonial Collection from Carl Hansen & Son

“We are experiencing extremely high demand for the Colonial Chair, which is one of our most popular armchairs,” said Knud Erik Hansen, CEO of Carl Hansen & Søn.

“So it was only natural to delve deeper into Ole Wanscher’s design universe and supplement the Colonial Chair with pieces that tell a complete story and provide a common design experience.”

Colonial Collection from Carl Hansen & Son

“As Wanscher’s reputation as one of the true greats of Danish furniture design continues to grow, the unified series enables us to bring this story to design aficionados the world over,” he added.

Colonial Collection from Carl Hansen & Son

Like the Colonial Chair, the Colonial Sofa is available in walnut, cherry, oak and mahogany with a lacquered, soap or oil finish. The Colonial Coffee Table is available in oak and walnut with a veneer top in matching wood.

Colonial Collection from Carl Hansen & Son

Carl Hansen & Søn has recently revisited a series of Modernist designs from its archive. Earlier this year it refreshed a 1970 tray table by Hans J Wegner, and put a wood and steel chair he designed in 1955 into production in 2014.

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Montreal Home Updated With Corrugated Metal Cladding And A Vibrant Staircase

La Shed Architecture has renovated an old residence in a Montreal neighbourhood, incorporating a roof terrace flanked by corrugated metal and a bright red-orange staircase .

Maison de Gaspe by La SHED architecture

Canadian studio La Shed carried out considerable remodelling functions to Maison de Gaspé, a two-storey home and garage in the district of Villeray to develop a residence for a couple and their two youthful kids.

Maison de Gaspe by La SHED architecture

In accordance to the architects, the property had undergone a number of transformations and fragmentations since it was very first constructed, dropping many of its authentic characteristics.

Because of this, a completely new aesthetic was chosen for the exterior, reuniting annexes below a cladding of dark red brickwork and corrugated steel sheeting.

Maison de Gaspe by La SHED architecture

“The facade went through a assortment of transformations in excess of time that manufactured restoration impossible,” explained the architects.

“We chose to create a modern facade that would seamlessly integrate with the surrounding housing stock.”

Maison de Gaspe by La SHED architecture

To reconcile the outdated and new parts of the residence with the local architectural typology, textured brickwork and blackened timber had been extra at the front of the home in trying to keep with neighbouring properties, even though far more modern day and industrial materials had been utilized to the rear.

“Relief work on the brick crowning alluded, in a modern manner, to the traditional masonry ornaments typical of the surrounding location,” the studio explained.

Maison de Gaspe by La SHED architecture

Glass sliding doors open onto a patch of pale timber decking in the back garden, which is ignored by massive windows set into the galvanised steel cladding of the upper storey. A chunk of this initial-floor volume was removed to produce a rooftop patio over the garage.

Maison de Gaspe by La SHED architecture

The single-height garage was clad in planks of pale timber to match the decking. This cladding materials continues beyond the property’s glass doors to define an interior entrance to the garage.

Maison de Gaspe by La SHED architecture

“This elimination allowed for an alleviation of the building’s density in relation to the backyard, while offering the backyard with further normal light and a much more open line of sight,” said the architects.

Maison de Gaspe by La SHED architecture

Within, the spaces are finished with pale wooden floors and white walls.

Two islands with stainless steel tops sit parallel sit in the kitchen section of the open-prepare living area. 1 offers a work surface, even though the other attributes a sunken sink and hob.

Maison de Gaspe by La SHED architecture

Spotlights and sliding doors are fixed onto ceiling runners, enabling the two spaces to be separated, and pantry storage and an oven are recessed into a white wall that separates the kitchen from a playroom.

Maison de Gaspe by La SHED architecture

In the play area a tiny door with a property-shaped profile opens into a cavity behind a chalkboard wall, offering a hideaway and playhouse for the family’s two young children.

Maison de Gaspe by La SHED architecture

A bookcase created from slats of pale timber runs up one side of the double-height residing space. The brilliant red-orange treads of a staircase rise to 1 side prior to the flight turns 90 degrees and disappears behind the cover of the bookshelf.

Maison de Gaspe by La SHED architecture

Upstairs, 3 bedrooms, two bathrooms and a review with an adjoining terrace are organized about the atrium and separated by sliding doors.

Maison de Gaspe by La SHED architecture

The bathrooms features glass shower screens and are covered in tiny monochrome hexagonal and square tiles.

“The black hexagonal mosaic floor as properly as solid wood horizontal surfaces act as contrasting components in relation to the omnipresent whiteness of the bathroom,” stated the architects.

Maison de Gaspe by La SHED architecture

A fence-like construction made from pale timber closes the examine from the atrium, even though from under the flatted framework enables the occupants views of the workplace over.

Maison de Gaspe by La SHED architecture

Beyond the office spot, doors open onto the roof terrace. A slim room at the end of the patio offers a storage room and acts as a screen from neighbours.

Photography is by Maxime Brouillet.

Maison de Gaspe by La SHED architectureGround floor plan Maison de Gaspe by La SHED architectureFirst floor program Dezeen

Ilona Van Den Bergh’s Moon Bowls Are Deformed After Casting

These ceramic bowls by Belgian designer Ilona Van den Bergh are slip-cast in best half-spheres and reshaped while still pliable to generate one particular-off pieces .

Van den Bergh creates the warped types of the Moon bowls soon after she removes them from the plaster mould.

Moon by Ilona Van Den Bergh

Every circular piece is worked by hand to form a gentle indentation across the curved surface that is slightly diverse each and every time.

The deformed bowls are then fired to repair their last form.

Moon by Ilona Van Den Bergh

“The design and style is based mostly on a circle: a perfectly closed, round line,” stated Van den Bergh. “It is one of the strongest shapes, identified and utilized throughout the history of mankind, as strong in its simplicity as the sun and the moon.”

Moon by Ilona Van Den Bergh

“But it was a challenge for me to perform with this best shape,” she continued. “So once I get rid of the clay from the plaster mould, I deform the bowl. I generate for each object a new curve, a new route, a new lifestyle.”


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Moon by Ilona Van Den Bergh

The thin-walled containers are coloured with distinct “engobes” – liquefied suspensions of clay particles in water – offering them a matt white, grey, brown, red, pink or orange finish.

Moon by Ilona Van Den Bergh

The bowls are created to be presented in large groups. “As a assortment, the objects evoke an organic and dynamic feeling,” Van den Bergh advised Dezeen.

Moon by Ilona Van Den Bergh

“They breathe an environment of serenity,” she mentioned, “exactly where shadow and light carry the assortment to daily life, where lines and shapes conduct the rhythm, where purity and simplicity rule.”

Moon by Ilona Van Den Bergh

Accessible in 3 sizes, with diameters of ten, 15 and 25 centimetres, the bowls are available to purchase individually.

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